Yesterday's warmup: An ATC-size mini-painting using the ancient pigments. This particular paper (Strathmore cold press watercolor artist cards) started feathering at the underpainting, so I didn't try too much layering or detail, but I'm getting better at understanding how each individual pigment wants to be coddled.
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I'm not very good at encaustic (to be honest I haven't put enough effort into it yet), but I'm enjoying using the same set of pigments with watercolours--sourced from the same locations/mines for some of them, according to the pigment manufacturers, so that's pretty inspiring.
Tempera paints were also used on some Fayum portraits, so making tempera is next. I haven't made tempera paint since I was a little bitty kid at an art workshop at the Cloisters in Manhattan, and I don't remember them actually letting us play with the raw unmixed yolks....
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On the tangent: I think of the explosion of wine-&-paint nights--and scrapbooks and journals and youtubers--as a healthy hobbyist thing, a way for people to express themselves, be social, keep the brain expanded and occupied. Very 19th century. If you did decide to run some wine-fueled workshops, I'd imagine groups would appreciate having a bona fide fine artist give them real insight. Before everyone gets plastered.
But I understand your reservations. It's like tfw you hear someone say, "oh, anyone can play piano," since it seems so simple and quick to get a melody (or a picture of some sort) out of the tools.
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