As I've mentioned before, my co-authored article on Gender and attitudes toward intellectual property has been accepted for publication and will appear in early 2010. A draft is available for free public download at www.ssrn.com (search for the word "filk"). Because the full article is rather long, several folks have asked if I would post a summary
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My one observation is that I think you're correct that surveying another source than Xenofilkia might give you markedly different results for the male/female original/borrowed breakdown. Xenofilkia -- as I recall! -- is slanted fairly heavily towards the West Coast filk community. Each of the different regions has a somewhat unique identity of its own.
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I think it's a given, because of the nature of filk, that filkers take a narrower view of the exclusive right to make derivative works than authors do.
Another datum that might be interesting to you is that on the newsgroup rec.music.filk, there has been a long-standing tradition of not posting lyrics to copyrighted songs without the permission of the copyright holder.
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