You know how sometimes you can unplug your headphone jack slightly and it removes the center, foreground sounds? You know, in a sound field.... the sounds in the center are usually the main vocals and effects. That's the foreground. And the other background effects are quieter and more "on the sides" and not in the center of the sound field? It's
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I know Bill's voice super well! I've only listened to it constantly for over 3 years. And it's the obsession-love. That helps a lot.
Hanging out for a month would be neat! I wish we all lived in Humanoid City and could meet each other in real life. There's some neat TH fans out there. :)
I was thinking of doing this for Scream, Schrei, and Zimmer 483 too. Maybe an entry and analysis for each?
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Another thing I've been wanting to talk to someone about - and you are obs the right person - is how he sounds on "That Day". His voice is beautiful, but the sounds of the breaths he takes before he sings each line, which I believe are usually edited out or at least not so pronounced, are what make that song AMAZING. Am I making sense?
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You make total sense. I was listening to That Day Thursday night (on the drive home from school) and only listened to Bill's breathing and grunting. The inhales are usually edited out, but sometimes they keep those exhaling gasps/pitch jumps. It's his personal signature. It is cool that he can do that with his voice and still keep it in control. That's the reason I still have Totgeliebt on my ipod, because of his vocal thingies because other than that, Totgeliebt doesn't float my boat.
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