Below the cut is primarily my hatred of Eragon himself. That whole "betrayal" scene has sent it to new heights.
Ok, seriously.
Your supposed "best friend" has just told you that he was tortured-by a person well know for being evil and cruel beyond words- into revealing information. He told you that, weakened and imprisoned, and was forced to
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I am now joy-filled.
And Del rey has the benefit of being rather picky about what they license.
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What gets me is that Paolini completely seems to miss the fact that Eragon is in no way heroic (everyone else does everything for him), likable (everyone likes him for no good reason) or intelligent (he makes STUPID decisions and jumps to conclusions constantly). He seems to conclude that since HE loves his creation, everyone else should. A faulty conclusion to jump to indeed.
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Eragon is, by far, the most irritating fantasy hero I've ever read about. In the afterword, Paolini says "he's not to bright, is he?" but in a "but you love him anyway" way...except...there's nothing lovable or sympathetic about him. Eragon is very much a 15 year olds idea of...well...a perfect 15 year old hero. If it weren't for Murtagh, I'd just rely on Codex Alera for my coming of age fantasy needs...there the hero is actually LIKABLE and gets called on it when he's stupid and actually has to grow up.
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I think that's a large part of why Murtagh is so well liked: He's the only thing we have to showthat it COULD be good if Paolini had proper guidance.
I, seriously, wanted to kill Eragon in that scene. I mean, his supposed best friend was standing there, essentially apologizing for being forced to reveal secrets while under torture, and the "hero" is standing there, screaming about him being a traitor and deserving rotting in a cell...I mean, what? Did Murtagh need to cry and sob about how horrible it was to get the message across?
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Oh yes - I was much like you when I finished Eldest, but it's been months since then and I've just let Paolini slide.
I'm not sure I completely agree with you when you say that Eragon is the perfect hero and has never made mistakes - what about that little girl who he wrongly blessed? But yeah, compared to what it should have been, and was in Eragon, Eragon has much, much further to go.
Totally agree with you about the "betrayal" scene. *grumbles*
I really don't blame him if he hates Eragon now - his little brother, escaping a cruel life with his father and the stigma associated with his name, being exulted as the hero and saviour.
What did you think about Arya? She got on my nerves most of all, I think. The QUEEN of Mary Sues if ever there was one.
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The little girl is actually the perfect example of what I mean. Eragon literally destroys a life and barely gets a verbal slap on the hand for it. Then, instead of actually letting it be a mistake, Paolini turns around and makes her apparently NOT MINd and a vastly powerful ally...as presented, it's not a BAD thing that he did, but a GOOD thing.
I was incapable of paying attention to Arya's scenes...it was too horribly written.
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*headdesk*
That poor, poor girl. *shivers* He did destroy her life, and all because he tried to play "the hero" and screwed up.
Hee. Fair enough. I skimmed through most of it (including the scenes with Oromis?!, that random old elf guy) but Arya's scenes were too painfully hilarious for me to ignored. Ironically - she's normally the one that gets vilified while Eragon gets off a lot lighter.
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Come to think of it, I think the first book may have spawned a mini dissertation about that...I can't recall...
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