Connor had occupied himself in his usual seat in the house, watching his cast assemble on stage. It was the middle of the fourth week of rehearsals and he hadn’t bothered to learn any of his cast members names other than the principal characters, everyone else was the name of their character (or referred to as ‘extra number one’). Connor
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Comments 6
"Don't flake out on me, Berry," he said under his breath.
When Connor gave instructions to run through the numbers, Jesse moved with speed and confidence to the spot from which he would begin the scene. He glanced down with annoyance at his jeans jacket, wishing he had Billy's three-piece suit and hat to really help him get into character. The light Chicago accent came easily enough, but the costume affected everything else: the way he would move, his posture. Jesse supposed it was easier for the dancers to rehearse in street clothes, but they'd have to learn to do it all in close-fitting costumes eventually.
He waited for Rachel to join him for their scene.
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She drugged herself to the gills with Vitamin C and DayQuil, pumping as much Red Bull through her system as she could tolerate, and went on stage ready to give it her all. So it was with a slightly annoyed glare that she made her way towards Jesse, character shoes click-clacking against the stage floor.
"Oh, Billy," she gasped, falling into character as she reached his side. "I'm scared!"
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"Don't be. I've been around a long time. Believe me, you've got nothing to worry about. It's all a circus. A three-ring circus. The trial, the whole world... all show business. Kid, you're gonna be a star."
He said that last line with absolute conviction, giving Rachel a small, secret smile to indicate that it was for her too.
Rachel Berry, you're gonna be a star.
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His smooth-talking voice eased her soul; she found herself smiling along in agreement as he moved in between the dancers. When the dancers snapped, she had to bite back the urge to snap along, keeping time instead with a nearly imperceptible tap of her heel.
If she was going to be a star, he was a supernova in front of her. She loved to watch him perform.
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Having been cast as Liz was probably the best thing that could've happened for her. It combined singing and dancing, which where her strengths, and while she certainly didn't have as many lines as a character like Roxie or Velma, the Cell Block Tango had enough speak-singing that she felt like she was challenging herself. Having recently come out of the 'vocal closet' to her friends by dropping the fake stutter was a blessing in terms of the play, but she still had a certain shyness that she was working through.
Currently, Tina was backstage going over her lines in her head because she wasn't needed in this scene. "Ever had Morton before? ..She's fine, ( ... )
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Rehearsals were still a bit lonely for her, feeling like the dopey awkward freshman on the sidelines, but she didn't really mind. It would come in time, she was sure. And until then, she'd just do the very best job that she could and blow everyone's mind with her talent without seeming too cocky. That wasn't too difficult a goal to achieve.
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