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When I read Anais Nin's diary from 1944-1947, I was rather surprised to discover that the main narrative concerned her friendship with Gore Vidal (who would later mock the shit out of her in Myra Breckenridge) and how she saw him as a sensitive young artist who was eager to escape his rather sinister family. Immediately, I thought that either Anais
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He also had affection for Edgar Rice Burroughs, allowing that ERB, when he was on his game, could write extremely effective, engrossing and entertaining action scenes (something that Vidal freely admitted that he could not do).
If Vidal mercilessly mocked the likes of Hemingway, Updike, Mailer, Joyce Carol Oates, Henry Miller, Doris Lessing, and, yes, Anaïs Nin -- well, I have no real problem with that, as my encounters with their work (saving only Lessing, whom I've not read yet) tend to give credence to his ill opinion of it.
I also love that he called Dumas père "dull"; after slogging through the Oxford World's Classics ( ... )
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I will read Burr, but I think I already read Empire - not sure, is that the one where he blamed FDR for Pearl Harbor as if it was a massive conspiracy?
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Empire deals with McKinley deciding to take up the "white man's burden" by reneging on promises to Filipino insurgents and ganking the Philippines for the U.S.'s sake after chasing the Spanish out (and also grabbing Hawai'i, incidentally, at the urgings of the Dole family). In the background are the counterpoints of Theodore Roosevelt and William Randolph Hearst (the book concludes with a verbal duel between the two; Vidal admitted that this scene was fictionalized, as they apparently never met more than in passing ( ... )
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