Ванитас-Vanitas.Сюжеты и аллегории. Часть 2.
Ванитас-Vanitas.Сюжеты и аллегории. Графика и живопись.
BALDUNG GRIEN, Hans
Три возраста женщины и смерть.1510
After Marten de Vos.1590 (c.)
Antonio de Pereda y Salgado Vanitas, Florencia, Uffizi. 17 c.
Еще немного про символику ванитас и "Memento Mori":
-------------------HOLBEIN, Hans the Younger-----------------------
HOLBEIN, Hans the Younger
Jean de Dinteville and Georges de Selve (`The Ambassadors')
1533
Oil on oak, 207 x 209 cm
National Gallery, London
Слева на портрете изображен Жан де Дентевиль, французский посол при дворе Генриха VIII, справа Жорж де Сельв, епископ Лавуа, посетивший Лондон в апреле 1533 года.
На картине мы видим двух человек в окружении предметов, образующих их мир и сферу их интересов, многие предметы связаны с жанром Vanitas: лютня, глобус, солнечные часы редкой конструкции в виде пирамидки, набор флейт.
Но самое странное, то, что находится у них под ногами, на полу некая серая плоскость. Это, пожалуй, первый случай в мировой живописи, когда демонстрируется анаморфозис (геометрическое искажение). Если приставить к низу картинки зеркало, то под определенным углом в нем можно увидеть череп.
The Ambassadors, detail of globe, lute, and books
http://commons.wikimedia.org/wiki/File:The_Ambassadors,_by_Hans_Holbein_the_Younger.jpg
Vanitas
Artist: Hans Holbein the Younger ?(born 1497 or 1498, died 1543)
Date: 1543
-------------------------------
========================Натюрморты==================
BAILLY, David
Self-Portrait with Vanitas Symbols
1651
Oil on wood, 65 x 97,5 cm
Stedelijk Museum De Lakenhal, Leiden
David Bailly (1584-1657)
Self-Portrait with Vanitas Symbols
Oil on wood
1651
COLLIER, Edwart
Self-Portrait with a Vanitas Still- Life
1684
Oil on canvas, 35 x 30 cm
Private collection
-Мастерская художника, палитра- символ ванитас:
Hendrick Gerritsz Pot Artist in his Studio
Edward Collier, by Edward Collier (floruit 1673-1706).
------------------Зеркало и зеркальный шар---------------
====================================================================
Titian (c1488-1576)
Vanitas
Oil on canvas
1515
Private collection
A vanitas portrait of a lady believed to be Clara Peeters
Clara Peeters
(1594 -after 1657)
Paulus Moreelse
Portrait of a Young Woman 2 - Paulus Moreelse reproductions Sophia Hedwig, Countess of Nassau Dietz, with her Three Sons 1621 -
Girl with a Mirror
Vanitas a young woman seated at her dressing table 1632
Paulus Moreelse
--------------------Младенцы с черепом------------------
==============================================================
Published by Hieronymus Cock
1550 (circa)
Vanitas; a large skull and a sleeping putto in an architectural framework
Etching
Published by Hendrik Goltzius
1594 (circa)
Vanitas; allegory of transience; a putti, whole-length, blowing bubbles and astride a skull; at left, a vase of flowers and at right a smoking urn
Print made by Raphael Sadeler I
After Marten de Vos
1590 (c.)
Allegory of transitoriness. Landscape with two naked youths, one sitting on an urn and blowing a soap bubble, the other lying asleep with his arm on a skull near an hour-glass; after Maarten de Vos
Engraving
Print made by Crispijn de Passe the elder
After Marten de Vos
1600 (circa)
Title-page to a series of prints on the Parable of the wise and foolish virgins; a monument flanked by two female statues, one holding a timepiece; below an oval with a vanitas motif, a putti leaning on a skull and holding an hourglass; after Maarten de Vos
Drawn by Jacob de Gheyn II
1599
Allegorical composition, study for a print; under a pavilion, a picture of the Last Judgement, a child blowing bubbles in a niche below, a peasant standing at left and an emperor at r, two decaying corpses lying below, two medallions in the upper corners representing the Fall of Man and the Crucifixion. 1599
Pen and brown ink, with grey wash, and with lines indented, the child drawn on a piece of paper inserted
Attributed to Jacob Hoefnagel
(1542 - 1601)
VANITAS. Germany, Bartholomaeus Spranger (1546-1611).
Post 1600.
Oil on canvas, signed: B. SPRANGERS. ANT .F. A putto with a skull is a traditional representation of death, depicted as the young god Thanatos, and the message of vanity in the composition is underlined by the presence of an hourglass and the inscription Hodie mihi cras tibi on the cartouche. From the Miączyński-Dzieduszycki collection.
==========================================
======================Сюжеты================
MASTER M Z
(active 1500-1510)
Vanitas (Memento Mori)
1502-03
Copper-plare engraving, 183 x 131 mm
Museum of Fine Arts, Budapest
Print made by Lucas van Leyden
1519 (circa)
Young Man with a Skull; the man faces toward the right; he wears an elaborately feathered hat and with his right hand points to the skull which he cradles in his robes with his left arm. c.1519
Engraving
Print made by Angelo Campanella
After Leonardo da Vinci
1760-1811
-----------------------------------------------
Print made by Valentin Lefebre
After Titian (?)
Omnia Vanitas: a naked woman lying on a bed in foreground, looking up at a plaque inscribed 'Omnia Vanitas' held up by a chain in top centre, a curtain beyond, a crown and sceptre lying at her feet, coins and a jar from which smoke rises in right foreground, a landscape in far distance; in an arched design; counterproof; after Titian (?). 1682
Print made by Jacob de Gheyn II
1595-1596
A young woman looking into a mirror seated besides a table with jewellery and a backgammon game; she has a lapdog who growls at a chained monkey and a putto climbs into the room through a window at right. c.1595
Engraving
Vanitas vanitatum et omnia vanitas
After Abraham Bloemaert
Print made by Jan Saenredam
Date
1600
Vanitas personified; a female figure, with exposed breasts, holding a smoking vase, is seated before a table laden with precious objects, including a crown and sceptre and various vessels; surrounding the design is the calligraphy title; after Bloemaert
After Abraham Bloemaert
1608
Allegory on Vanitas. A young woman in rich attire reclines holding a jar, a peacock at left, on a table at right bags of coins and a chest, a richly decorated vessel and plate in foreground; after Abraham Bloemaert. 1608
Engraving
Мыльные пузыри - краткость жизни и внезапность смерти; отсылка к выражению homo bulla - «человек есть мыльный пузырь»6
After Abraham Bloemaert
1611
Allegory on Vanitas. A young woman in rich attire blowing soap bubbles, on a table at right a crown, piles of coins, chains and various richly decorated precious vessels; after Abraham Bloemaert. 1611
Engraving
After Jacob de Gheyn II
Print made by Andries Jacobsz.
Date
1610-1620 (circa)
Vanitas with Death and a maiden; a richly attired woman at her toilet-table; behind her stands Death holding an hour-glass; on the table is a jewellery box and a bag of coins
Engraving
Vélins
Print made by Schelte Adamsz. Bolswert
After Peter Paul Rubens
1600-1659
St Mary Magdalene finely attired, half-length to left, tearing a pearl necklace from her neck, several beauty products in front of her; unsigned; after Rubens
Engraving
Vanitas vanitatem et omnia vanitas (Vanity of vanities, all is vanity)
Print made by Anonymous
After David Vinckboons
Date
1620
Young amorous couple at a richly decorated table in a room decorated with three paintings; on the table are culinary delicacies and costly ewers, glass holders, goblets and dishes; a maidservant eavesdrops at a door at left. 1620
--------------------------------
Print made by Anonymous
Formerly attributed to Giuseppe Maria Mitelli
1650-1700
Philosopher seated underneath a headless statue contemplating a corpse in a coffin lying before him to the left; also in the foreground are a dead heron, cat, assorted skulls and a metal vase; a scarecrow man walks in the empty desert behind
Etching
After Johann Georg Kreutzfelder
1671 (c.)
Portrait of Ernst Eberhard Friedrich, Count of Hohenlohe-Langenburg, standing full length, long hair, wearing bands and gown, holding and pointing to a crucifix; beside him on the right, a table with book and tablecloth with skull and crossbones and scroll lettered 'Memento Mori'; on left, a table with candle, coins, broken glass and playing cards, and tablecoth with coat of arms and scroll lettered 'Vanitas. Vanitas'; dice, racquets, balls and swords on ground; above the Count a putto holds a wreath and a palm branch; through a window fields and a town in the distance; possibly used in the funeral oration 'Peregrinatio Christianorum Apostolica' (Rothenburg, 1671).
After Joseph Christ
Print made by Johann Elias Haid
1770s
Interior with an elegantly dressed young man and an old man holding a book in the background; allegorical representation of a vanitas-theme; after Joseph Christ. c.1770s
Mezzotint
Print made by Johann Elias Haid
After Godfried Schalcken
1770s
Interior with an elegantly dressed young woman seated at a table, her hand resting on a casket; an old woman in the background to right; allegorical representation of a vanitas-theme; after Schalken. c.1770s
Vanitas Vanitatis
After Godfried Schalcken
Print made by Robert Williams
1680-1704 (c)
Young winged woman smiling, with flowers on her hair, her dress falling down her right shoulder; holds bubble on shell in her right hand and extinguished candle on her left; globe half-covered with robe in the foreground, shipwreck in the background on left; after Godfried Schalken. c.1680-1704
Mezzotint
Print made by Benjamin Cole
1712-1783 (circa)
Vanitas; a skull wreathed in laurel on classical ledges, with a score of music, a statue of a Roman soldier in the left foreground with the upper half toppled to the ground, Father Time blowing bubbles in the middle ground to right, leaning against the edge of a ruined colosseum; illustration to an unidentified publication.
-------------------------
After Leonardo da Vinci
After Bernardino Luini
1770
Two female half-length figures, one draped in the dress of a nun, the other dressed in rich clothes holding a flower; after Luini.
1770
Print made by Giovanni Folo
After Leonardo da Vinci (formerly attributed to)
After Bernardino Luini
1812 (circa)
Two female half-length figures, one draped in the dress of a nun, the other dressed in rich clothes with her left hand resting on a perfume vase; possibly a depiction of the conversion of the Magdalen; after Bernardino Luini.
=====================Живопись-аллегории========================
====================Giovanni BELLINI-allegory_of_vanitas============
Giovanni Bellini (1430-1516)
Four Allegories: Perseverance and Fortune
Oil on wood
c1490
44 x 32 cm
(17.32" x 12.6")
Gallerie dell'Accademia (Venice, Italy)
by Giovanni BELLINI
Four Allegories: Lust (or Perseverance)
c. 1490
Oil on wood, 32 x 22 cm
Gallerie dell'Accademia, Venice
============
BELLINI, Giovanni
Four Allegories: Falsehood (or Wisdom)
c. 1490
Oil on wood, 34 x 22 cm
Gallerie dell'Accademia, Venice
BELLINI, Giovanni
Four Allegories: Fortune (or Melancholy)
c. 1490
Oil on wood, 34 x 22 cm
Gallerie dell'Accademia, Venice
Four Allegories: Prudence (or Vanity)
c. 1490
Oil on wood, 34 x 22 cm
Gallerie dell'Accademia, Venice
=========================Портреты и аллегории====================
HALS, Frans
Young Man with a Skull (Vanitas)
1626-28
Oil on canvas, 92,2 x 80,8 cm
National Gallery, London
Kunsthistorisches Museum, Vienna
PEREDA, Antonio de
St Jerome
1643
Oil on canvas, 105 x 84 cm
Museo del Prado, Madrid
Hopfer-Melancholia.jpg
Exilium Melancholiae, painting by Bartolomeus Hopfer
Date
after 1643
Allegory of the Vanity of Earthly Things
c. 1630
Oil on canvas, 96 x 135 cm
Galleria Nazionale d'Arte Antica, Rome
Pedro de Camprobín, El caballero y la muerte, Hospital de la Caridad, Sevilla.
17 век
GUERCINO
Et in Arcadia Ego
1618-22
Oil on canvas, 82 x 91 cm
Galleria Nazionale d'Arte Antica, Rome
PEREDA, Antonio de
Allegory
c. 1654
Oil on canvas, 139,5 x 174 cm
Antonio de Pereda - The Knight's Dream
Маска- тоже символ ванитас:
POT, Hendrick Gerritsz
af de Vanité
Vanity af (English)
1630-35 Panneau Frans Halsmuseum, Haarlem
POT, Hendrick Gerritsz
Jacob Duck (Utrecht c.1600-1667). An Allegory of Faith. An Allegory of Faith
Vanitasmotiv
Michel Gobin: Junger Mann mit Pfeife, nach 1681
de.academic.ru/dic.nsf/dewiki/1449572
(1571-1638)
1704-1773
Maria Magdalena (1663) von Guido Cagnacci
======================Возраст====================================
----------------------------------
MEMLING, Hans
Triptych of Earthly Vanity and Divine Salvation (front)
c. 1485
Oil on oak panel, 22 x 15 cm (each wing)
Musée des Beaux-Arts, Strasbourg
BALDUNG GRIEN, Hans
Death and the Maiden
1518-20
Oil on panel, 31 x 19 cm
Öffentliche Kunstsammlung, Basel
BALDUNG GRIEN, Hans
Eve, the Serpent, and Death
1510-12
Panel
National Gallery of Canada, Ottawa
BALDUNG GRIEN, Hans
Three Ages of the Woman and the Death
1510
Oil on limewood,48 x 32,5 cm
Kunsthistorisches Museum, Vienna
BALDUNG GRIEN, Hans
Three Ages of Man
1539
Oil on panel, 151 x 61 cm
Museo del Prado, Madrid
WIERTZ, Antoine
Two Young Girls or the Beautiful Rosine
1847
Oil on canvas, 140 x 100 cm
------------------------------
ERHART, Gregor
German sculptor (b. 1460/79, Ulm, d. 1540, Augsburg)
--------------------------------------------
Finis gloriae mundi from Juan Valdez Leal
17 век
Его же - из прошлого поста:
Часть 1-тут:
http://marinni.livejournal.com/508797.html
Еще по теме:
Death/Смерть- живопись и графика-HERE-ТУТ
и
Death/Смерть- живопись и графика-HERE-ТУТ
=========================================
http://ru.wikipedia.org/wiki/Vanitas
http://www.artcyclopedia.com/scripts/tsearch.pl?t=vanitas&type=2
http://commons.wikimedia.org/wiki/Vanitas?uselang=ru
http://www.diary.ru/~Cilja/p41084195.htm
http://www.1st-art-gallery.com/
http://www.wga.hu/frames-e.html?/html/v/vinne/vincent/vanitas.html
http://www.artchive.com/
BALDUNG GRIEN, Hans
Три возраста женщины и смерть.1510
After Marten de Vos.1590 (c.)
Antonio de Pereda y Salgado Vanitas, Florencia, Uffizi. 17 c.
Еще немного про символику ванитас и "Memento Mori":
-------------------HOLBEIN, Hans the Younger-----------------------
HOLBEIN, Hans the Younger
Jean de Dinteville and Georges de Selve (`The Ambassadors')
1533
Oil on oak, 207 x 209 cm
National Gallery, London
Слева на портрете изображен Жан де Дентевиль, французский посол при дворе Генриха VIII, справа Жорж де Сельв, епископ Лавуа, посетивший Лондон в апреле 1533 года.
На картине мы видим двух человек в окружении предметов, образующих их мир и сферу их интересов, многие предметы связаны с жанром Vanitas: лютня, глобус, солнечные часы редкой конструкции в виде пирамидки, набор флейт.
Но самое странное, то, что находится у них под ногами, на полу некая серая плоскость. Это, пожалуй, первый случай в мировой живописи, когда демонстрируется анаморфозис (геометрическое искажение). Если приставить к низу картинки зеркало, то под определенным углом в нем можно увидеть череп.
The Ambassadors, detail of globe, lute, and books
http://commons.wikimedia.org/wiki/File:The_Ambassadors,_by_Hans_Holbein_the_Younger.jpg
Vanitas
Artist: Hans Holbein the Younger ?(born 1497 or 1498, died 1543)
Date: 1543
-------------------------------
========================Натюрморты==================
BAILLY, David
Self-Portrait with Vanitas Symbols
1651
Oil on wood, 65 x 97,5 cm
Stedelijk Museum De Lakenhal, Leiden
David Bailly (1584-1657)
Self-Portrait with Vanitas Symbols
Oil on wood
1651
COLLIER, Edwart
Self-Portrait with a Vanitas Still- Life
1684
Oil on canvas, 35 x 30 cm
Private collection
-Мастерская художника, палитра- символ ванитас:
Hendrick Gerritsz Pot Artist in his Studio
Edward Collier, by Edward Collier (floruit 1673-1706).
------------------Зеркало и зеркальный шар---------------
====================================================================
Titian (c1488-1576)
Vanitas
Oil on canvas
1515
Private collection
A vanitas portrait of a lady believed to be Clara Peeters
Clara Peeters
(1594 -after 1657)
Paulus Moreelse
Portrait of a Young Woman 2 - Paulus Moreelse reproductions Sophia Hedwig, Countess of Nassau Dietz, with her Three Sons 1621 -
Girl with a Mirror
Vanitas a young woman seated at her dressing table 1632
Paulus Moreelse
--------------------Младенцы с черепом------------------
==============================================================
Published by Hieronymus Cock
1550 (circa)
Vanitas; a large skull and a sleeping putto in an architectural framework
Etching
Published by Hendrik Goltzius
1594 (circa)
Vanitas; allegory of transience; a putti, whole-length, blowing bubbles and astride a skull; at left, a vase of flowers and at right a smoking urn
Print made by Raphael Sadeler I
After Marten de Vos
1590 (c.)
Allegory of transitoriness. Landscape with two naked youths, one sitting on an urn and blowing a soap bubble, the other lying asleep with his arm on a skull near an hour-glass; after Maarten de Vos
Engraving
Print made by Crispijn de Passe the elder
After Marten de Vos
1600 (circa)
Title-page to a series of prints on the Parable of the wise and foolish virgins; a monument flanked by two female statues, one holding a timepiece; below an oval with a vanitas motif, a putti leaning on a skull and holding an hourglass; after Maarten de Vos
Drawn by Jacob de Gheyn II
1599
Allegorical composition, study for a print; under a pavilion, a picture of the Last Judgement, a child blowing bubbles in a niche below, a peasant standing at left and an emperor at r, two decaying corpses lying below, two medallions in the upper corners representing the Fall of Man and the Crucifixion. 1599
Pen and brown ink, with grey wash, and with lines indented, the child drawn on a piece of paper inserted
Attributed to Jacob Hoefnagel
(1542 - 1601)
VANITAS. Germany, Bartholomaeus Spranger (1546-1611).
Post 1600.
Oil on canvas, signed: B. SPRANGERS. ANT .F. A putto with a skull is a traditional representation of death, depicted as the young god Thanatos, and the message of vanity in the composition is underlined by the presence of an hourglass and the inscription Hodie mihi cras tibi on the cartouche. From the Miączyński-Dzieduszycki collection.
==========================================
======================Сюжеты================
MASTER M Z
(active 1500-1510)
Vanitas (Memento Mori)
1502-03
Copper-plare engraving, 183 x 131 mm
Museum of Fine Arts, Budapest
Print made by Lucas van Leyden
1519 (circa)
Young Man with a Skull; the man faces toward the right; he wears an elaborately feathered hat and with his right hand points to the skull which he cradles in his robes with his left arm. c.1519
Engraving
Print made by Angelo Campanella
After Leonardo da Vinci
1760-1811
-----------------------------------------------
Print made by Valentin Lefebre
After Titian (?)
Omnia Vanitas: a naked woman lying on a bed in foreground, looking up at a plaque inscribed 'Omnia Vanitas' held up by a chain in top centre, a curtain beyond, a crown and sceptre lying at her feet, coins and a jar from which smoke rises in right foreground, a landscape in far distance; in an arched design; counterproof; after Titian (?). 1682
Print made by Jacob de Gheyn II
1595-1596
A young woman looking into a mirror seated besides a table with jewellery and a backgammon game; she has a lapdog who growls at a chained monkey and a putto climbs into the room through a window at right. c.1595
Engraving
Vanitas vanitatum et omnia vanitas
After Abraham Bloemaert
Print made by Jan Saenredam
Date
1600
Vanitas personified; a female figure, with exposed breasts, holding a smoking vase, is seated before a table laden with precious objects, including a crown and sceptre and various vessels; surrounding the design is the calligraphy title; after Bloemaert
After Abraham Bloemaert
1608
Allegory on Vanitas. A young woman in rich attire reclines holding a jar, a peacock at left, on a table at right bags of coins and a chest, a richly decorated vessel and plate in foreground; after Abraham Bloemaert. 1608
Engraving
Мыльные пузыри - краткость жизни и внезапность смерти; отсылка к выражению homo bulla - «человек есть мыльный пузырь»6
After Abraham Bloemaert
1611
Allegory on Vanitas. A young woman in rich attire blowing soap bubbles, on a table at right a crown, piles of coins, chains and various richly decorated precious vessels; after Abraham Bloemaert. 1611
Engraving
After Jacob de Gheyn II
Print made by Andries Jacobsz.
Date
1610-1620 (circa)
Vanitas with Death and a maiden; a richly attired woman at her toilet-table; behind her stands Death holding an hour-glass; on the table is a jewellery box and a bag of coins
Engraving
Vélins
Print made by Schelte Adamsz. Bolswert
After Peter Paul Rubens
1600-1659
St Mary Magdalene finely attired, half-length to left, tearing a pearl necklace from her neck, several beauty products in front of her; unsigned; after Rubens
Engraving
Vanitas vanitatem et omnia vanitas (Vanity of vanities, all is vanity)
Print made by Anonymous
After David Vinckboons
Date
1620
Young amorous couple at a richly decorated table in a room decorated with three paintings; on the table are culinary delicacies and costly ewers, glass holders, goblets and dishes; a maidservant eavesdrops at a door at left. 1620
--------------------------------
Print made by Anonymous
Formerly attributed to Giuseppe Maria Mitelli
1650-1700
Philosopher seated underneath a headless statue contemplating a corpse in a coffin lying before him to the left; also in the foreground are a dead heron, cat, assorted skulls and a metal vase; a scarecrow man walks in the empty desert behind
Etching
After Johann Georg Kreutzfelder
1671 (c.)
Portrait of Ernst Eberhard Friedrich, Count of Hohenlohe-Langenburg, standing full length, long hair, wearing bands and gown, holding and pointing to a crucifix; beside him on the right, a table with book and tablecloth with skull and crossbones and scroll lettered 'Memento Mori'; on left, a table with candle, coins, broken glass and playing cards, and tablecoth with coat of arms and scroll lettered 'Vanitas. Vanitas'; dice, racquets, balls and swords on ground; above the Count a putto holds a wreath and a palm branch; through a window fields and a town in the distance; possibly used in the funeral oration 'Peregrinatio Christianorum Apostolica' (Rothenburg, 1671).
After Joseph Christ
Print made by Johann Elias Haid
1770s
Interior with an elegantly dressed young man and an old man holding a book in the background; allegorical representation of a vanitas-theme; after Joseph Christ. c.1770s
Mezzotint
Print made by Johann Elias Haid
After Godfried Schalcken
1770s
Interior with an elegantly dressed young woman seated at a table, her hand resting on a casket; an old woman in the background to right; allegorical representation of a vanitas-theme; after Schalken. c.1770s
Vanitas Vanitatis
After Godfried Schalcken
Print made by Robert Williams
1680-1704 (c)
Young winged woman smiling, with flowers on her hair, her dress falling down her right shoulder; holds bubble on shell in her right hand and extinguished candle on her left; globe half-covered with robe in the foreground, shipwreck in the background on left; after Godfried Schalken. c.1680-1704
Mezzotint
Print made by Benjamin Cole
1712-1783 (circa)
Vanitas; a skull wreathed in laurel on classical ledges, with a score of music, a statue of a Roman soldier in the left foreground with the upper half toppled to the ground, Father Time blowing bubbles in the middle ground to right, leaning against the edge of a ruined colosseum; illustration to an unidentified publication.
-------------------------
After Leonardo da Vinci
After Bernardino Luini
1770
Two female half-length figures, one draped in the dress of a nun, the other dressed in rich clothes holding a flower; after Luini.
1770
Print made by Giovanni Folo
After Leonardo da Vinci (formerly attributed to)
After Bernardino Luini
1812 (circa)
Two female half-length figures, one draped in the dress of a nun, the other dressed in rich clothes with her left hand resting on a perfume vase; possibly a depiction of the conversion of the Magdalen; after Bernardino Luini.
=====================Живопись-аллегории========================
====================Giovanni BELLINI-allegory_of_vanitas============
Giovanni Bellini (1430-1516)
Four Allegories: Perseverance and Fortune
Oil on wood
c1490
44 x 32 cm
(17.32" x 12.6")
Gallerie dell'Accademia (Venice, Italy)
by Giovanni BELLINI
Four Allegories: Lust (or Perseverance)
c. 1490
Oil on wood, 32 x 22 cm
Gallerie dell'Accademia, Venice
============
BELLINI, Giovanni
Four Allegories: Falsehood (or Wisdom)
c. 1490
Oil on wood, 34 x 22 cm
Gallerie dell'Accademia, Venice
BELLINI, Giovanni
Four Allegories: Fortune (or Melancholy)
c. 1490
Oil on wood, 34 x 22 cm
Gallerie dell'Accademia, Venice
Four Allegories: Prudence (or Vanity)
c. 1490
Oil on wood, 34 x 22 cm
Gallerie dell'Accademia, Venice
=========================Портреты и аллегории====================
HALS, Frans
Young Man with a Skull (Vanitas)
1626-28
Oil on canvas, 92,2 x 80,8 cm
National Gallery, London
Kunsthistorisches Museum, Vienna
PEREDA, Antonio de
St Jerome
1643
Oil on canvas, 105 x 84 cm
Museo del Prado, Madrid
Hopfer-Melancholia.jpg
Exilium Melancholiae, painting by Bartolomeus Hopfer
Date
after 1643
Allegory of the Vanity of Earthly Things
c. 1630
Oil on canvas, 96 x 135 cm
Galleria Nazionale d'Arte Antica, Rome
Pedro de Camprobín, El caballero y la muerte, Hospital de la Caridad, Sevilla.
17 век
GUERCINO
Et in Arcadia Ego
1618-22
Oil on canvas, 82 x 91 cm
Galleria Nazionale d'Arte Antica, Rome
PEREDA, Antonio de
Allegory
c. 1654
Oil on canvas, 139,5 x 174 cm
Antonio de Pereda - The Knight's Dream
Маска- тоже символ ванитас:
POT, Hendrick Gerritsz
af de Vanité
Vanity af (English)
1630-35 Panneau Frans Halsmuseum, Haarlem
POT, Hendrick Gerritsz
Jacob Duck (Utrecht c.1600-1667). An Allegory of Faith. An Allegory of Faith
Vanitasmotiv
Michel Gobin: Junger Mann mit Pfeife, nach 1681
de.academic.ru/dic.nsf/dewiki/1449572
(1571-1638)
1704-1773
Maria Magdalena (1663) von Guido Cagnacci
======================Возраст====================================
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MEMLING, Hans
Triptych of Earthly Vanity and Divine Salvation (front)
c. 1485
Oil on oak panel, 22 x 15 cm (each wing)
Musée des Beaux-Arts, Strasbourg
BALDUNG GRIEN, Hans
Death and the Maiden
1518-20
Oil on panel, 31 x 19 cm
Öffentliche Kunstsammlung, Basel
BALDUNG GRIEN, Hans
Eve, the Serpent, and Death
1510-12
Panel
National Gallery of Canada, Ottawa
BALDUNG GRIEN, Hans
Three Ages of the Woman and the Death
1510
Oil on limewood,48 x 32,5 cm
Kunsthistorisches Museum, Vienna
BALDUNG GRIEN, Hans
Three Ages of Man
1539
Oil on panel, 151 x 61 cm
Museo del Prado, Madrid
WIERTZ, Antoine
Two Young Girls or the Beautiful Rosine
1847
Oil on canvas, 140 x 100 cm
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ERHART, Gregor
German sculptor (b. 1460/79, Ulm, d. 1540, Augsburg)
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Finis gloriae mundi from Juan Valdez Leal
17 век
Его же - из прошлого поста:
Часть 1-тут:
http://marinni.livejournal.com/508797.html
Еще по теме:
Death/Смерть- живопись и графика-HERE-ТУТ
и
Death/Смерть- живопись и графика-HERE-ТУТ
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http://ru.wikipedia.org/wiki/Vanitas
http://www.artcyclopedia.com/scripts/tsearch.pl?t=vanitas&type=2
http://commons.wikimedia.org/wiki/Vanitas?uselang=ru
http://www.diary.ru/~Cilja/p41084195.htm
http://www.1st-art-gallery.com/
http://www.wga.hu/frames-e.html?/html/v/vinne/vincent/vanitas.html
http://www.artchive.com/