Some time ago I had the opportunity to read Ryk Spoor's
Polychrome in Oz in manuscript. I sent him my comments, some of which you can see in that link. What I didn't tell him was that both midway through and at the end I kept having the same nagging thought: wow, I can see that this might be a tough sell to publishers
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Yes, I actually touch on those reasons during the Kickstarter narration; it's neither fish nor fowl from the point of view of the publishing world.
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As far as Ozma's immigration strategies go, it's interesting that she never seems to kick anyone out of Oz once she gets there. As far as I can recall, her only deportees were Ruggedo, the gypsies in Ojo, and the Mifkit in Scalawagons.
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