The Story of an African Farm by Olive Schreiner.

Oct 23, 2017 23:19



Title: The Story of an African Farm.
Author: Olive Schreiner.
Genre: Literature, fiction, feminism, sociology, religion, atheism, philosophical fiction.
Country: Cape Colony (South Africa).
Language: English.
Publication Date: 1883.
Summary: The novel details the lives of three characters, first as children and then as adults - Waldo, Em and Lyndall - who live on a farm in the Karoo region of South Africa. Em is fat, sweet and contented, a born housewife; Waldo is an orphan servant who becomes increasingly disillusioned with his devout faith, a crisis brought on by a series of traumatic events, as well as his growing interest in wider philosophical works; Lyndall is an articulate young feminist, cynic, and radical, who is clever, restless, and confined by the patriarchal and limited world around her. From the haunting plains of high Karoo, the novel boldly addresses society's greatest fears: the loss of faith, the dissolution of marriage, and women's social and political independence.

My rating: 9/10.
My Review:


♥ He felt horribly lonely. There was not one thing so wicked as he in all the world, and he knew it. He folded his arms and began to cry - not aloud; he sobbed without making any sound, and his tears left scorched marks where they fell. He could not pray; he had prayed night and day for so many months; and tonight he could not pray. When he left off crying, he held his aching head with his brown hands. If one might have gone up to him and touched him kindly; poor, ugly little thing! Perhaps his heart was almost broken.

♥ But oh, the loneliness, the agonized pain! for that night, and for nights on nights to come! The anguish that sleeps all day on the heart like a heavy worm, and wakes up at night to feed!

There are some of us who in after years say to Fate, "Now deal us your hardest blow, give us what you will; but let us never again suffer as we suffered when we were children.

The barb in the arrow of childhood's suffering is this - its intense loneliness, its intense ignorance.

♥ "There is nothing helps in this world," said the child slowly, "but to be very wise, and to know everything - to be clever."

♥ "He was one man, only one," said her little companion slowly, "yet all the people in the world feared him. He was not born great, he was common as we are; yet he was master of the world at last. Once he was only a little child, then he was a lieutenant, then he was a general, then he was an emperor. When he said a thing to himself he never forgot it. He waited, and waited, and waited, and it came at last."

"He must have been very happy," said Em.

"I do not know," said Lyndall; "but he had what he said he would have, and that is better than being happy."

♥ "It is rather a nice story," said Em; "but the end is sad."

"It is terrible, hateful ending," said the little teller of the story, leaning forward on her folded arms; "and the worst is, it is true. I have noticed," added the child very deliberately, "that it is only the made-up stories that end nicely; the true ones all end so."

As she spoke the boy's dark, heavy eyes rested on her face.

"You have read it, have you not?"

He nodded. "Yes; but the brown history tells only what he did, not what he thought."

"It was in the brown history that I read of him," said the girl; but I know what he thought. Books do not tell everything."

♥ "Sometimes I lie under that little hill with my sheep, and it seems that the stones are really speaking - speaking of the old things, of the time when the strange fishes and animals lived that are turned into stone now; and the time when the little Bushmen lived here, so small and so ugly, and used to sleep in the wild dog holes, and eat snakes, and shot the bucks with their poisoned arrows. It was one of them, one of these old wild Bushmen, that painted those pictures there. He did not know why he painted but he wanted to make something, so he made these. He worked hard, very hard, to find the juice to make the paint; and then he found this place where the rocks hang over, and he painted them. To us they are only strange things, that make us laugh; but to him they were very beautiful."

The children had turned round and looked at the pictures.

"He used to kneel here naked, painting, painting, painting; and he wondered at the things he made himself," said the boy, rising and moving his hand in deep excitement. "Now the Boers have shot them all, so that we never see a yellow face peeping out among the stones." He paused, a dreamy look coming over his face. "And the wild bucks have gone, and those days, and we are here. But we will be gone soon, and only the stones will lie on here, looking at everything like they look now. I know that it is I who am thinking," the fellow added slowly, "but it seems as though it were they who were talking."

♥ The little girl knit her brows. Perhaps her thoughts made a longer journey than the German dreamed of; for, mark you, the old dream little how their words and lives are texts and studies to the generation that shall succeed them. Not what we are taught, but what we see, makes us, and the child fathers the food on which the adult feed to the end.

♥ The German looked at him with profound admiration. It was wonderful what a difference feathers made in the bird.

♥ When the thing hadf gone he smoothed the leaves of his Bible somewhat caressingly. The leaves of that book had dropped blood for him once; they had taken the brightness out of his childhood; from between them had spring the visions that had clung about him and made night horrible. Adder-like thoughts had liufted their heads, had shot out fork tongues at him. asking mockingly strange, trivial questions that he could not answer, miserable child:

Why did the women in Mark see only one angel and the women in Luke two? Could a story be told in opposite ways and both ways be true? Could it? could it? Then again: - Is there nothing always right and nothing always wrong? Could Jael the wife of Heber the Kenite "put her hand to the nail, and her right hand to the workman's hammer"? and could the Spirit of the Lord chant pæans over her, loud pæans, high pæans, set in the book of the Lord, and no voice cry out it was a mean and dastardly sin to lie, and kill the trusting in their sleep? Could the friend of God marry his own sister, and be beloved, and the man who does it today goes to hell, to hell? Was there nothing always right or always wrong?

♥ It is a question whether it were not better to be the shabbiest of fools, and know the way up the little stair of imagination to the land of dreams, than the wisest of men, who see nothing that the eyes do not show, and feel nothing that the hands do not touch.

♥ "Ah, my friend," said Bonaparte, "when the grace of God is in our hearts, is it not so with us all? Do we not love the very worm we tread upon, and as we tread upon it? Do we know distinctions of race, or of sex, or of colour? No!

♥ Under his pillow was a little story-book. He drew it forth. To the old German a story was no story. Its events were as real and as important to himself as the matters of his own life. He could not go away without knowing whether that wicked Earl relented, and whether the Baron married Emilina. So he adjusted his spectacles and began to read.

♥ The old face was lying there alone in the dark, smiling like a little child’s - oh, so peacefully. There is a stranger whose coming, they say, is worse than all the ills of life, from whose presence we flee away trembling; but he comes very tenderly sometimes. And it seemed almost as though Death had known and loved the old man, so gently it touched him. And how could it deal hardly with him - the loving, simple, childlike old man?

So it smoothed out the wrinkles that were in the old forehead, and fixed the passing smile, and sealed the eyes that they might not weep again; and then the short sleep of time was melted into the long, long sleep of eternity.

“How has he grown so young in this one night?” they said when they found him in the morning.

Yes, dear old man; to such as you time brings no age. You die with the purity and innocence of your childhood upon you, though you die in your grey hairs.

♥ A dozen philosophical essays, or angelically attuned songs for the consolations of the bereaved, could never have been to him what that little sheep-shearing machine was that day.

After struggling to see the unseeable, growing drunk with the endeavour to span the infinite, and writhing before the inscrutable mystery, it is a renovating relief to turn to some simple, feelable, weighable substance; to something which has a smell and a colour, which may be handled and turned over this way and that. Whether there be or be not a hereafter, whether there be any use in calling aloud the Unseen power, whether there be an Unseen power to call to, whatever be the true nature of the I who call and of the objects around me, whatever be our meaning, our internal essence, our cause (and in a certain order of minds death and the agony of loss inevitably awaken the wild desire, at other times smothered, to look into these things), whatever be the nature of that which the limits of the human intellect build up on every hand, this thing is certain - a knife will cut wood, and one cogged wheel will turn another. This is sure.

♥ Had there been a moment's time he would have dug a hole in the sand with his hands and buried his treasure. It was only a toy of wood, but he loved it, as one of necessity loves what has been born of him, whether of the flesh or spirit. When cold eyes have looked at it, the feathers are rubbed off our butterfly's wing for ever.

♥ There was never a parent who heard deception in the voice that praised his child - his first-born. Here was one who liked the thing that had been created in him. He forgot everything.

♥ The dog jumped on to his back and snapped at the black curls, till, finding that no notice was taken, he walked off to play with a black-beetle. The beetle was hard at work trying to roll home a great ball of dung it had been collecting all the morning; but Doss broke the ball, and ate the beetle's hind legs, and then bit off its head. And it was all play, and no one could tell what it had lived and worked for. A striving, and a striving, and an ending in nothing.

♥ All he read he did not fully understand; the thoughts were new to him; but this was the fellow's startled joy in the book - the thoughts were his, they belonged to him. He had never thought them before, but they were his.

He laughed silently and internally, with the still intensity of triumphant joy.

So, then, all thinking creatures did not send up the one cry - "As thou, dear Lord, hast created things in the beginning, so are they now, so ought they to be, so will they be, world without end; and it doesn't concern us what they are. Amen." There were men to whom not only kopjes and stones were calling out imperatively, "What are we, and how came we here? Understand us, and know us;" but to whom even the old, old relations between man and man, and the customs of the ages called, and could not be made still or forgotten.

♥ Not far off was Waldo, who, having thrown a pail of food into the pig-sty, now leaned over the sod-wall looking at the pigs. Half of the sty was dry, but the lower half was a pool of mud, on the edge of which the mother sow lay with closed eyes, her ten little ones sucking; the father pig, knee-deep in the mud, stood running his snout into a rotten pumpkin and wriggling his curled tail.

Waldo wondered dreamily as he stared why they were pleasant to look at. Taken singly they were not beautiful; taken together they were. Was it not because there was a certain harmony about them? The old sow was suited to the little pigs, and the little pigs to their mother; the old boar to the rotten pumpkin, and all to the mud. They suggested the thought of nothing that should be added, of nothing that should be taken away. And, he wondered on vaguely, was not that the secret of all beauty, that you who look on -.

♥ But Bonaparte soon came to a conclusion as to the nature of the book and its contents, by the application of a simple rule now largely acted upon, but which, becoming universal, would save much thought and valuable time. It is of marvellous simplicity, of infinite utility, of universal applicability. It may easily be committed to memory, and runs thus:

Whenever you come into contact with any book, person, or opinion of which you absolutely comprehend nothing, declare that book, person, or opinion to be immoral. Bespatter it, vituperate against it, strongly insist that any man or woman harbouring it is a fool or a knave, or both. Carefully abstain from studying it. Do all that in you lies to annihilate that book, person, or opinion.

♥ They had burnt one book - he would have twenty. Every man's hand was against his - his should be against every man's. No one would help him - he would help himself.

♥ Then he saw what a regal night it was. He knelt silently and looked up. A thousand eyes were looking down at him, bright, and so cold. There was a laughing irony in them.

"So hot, so bitter, so angry? Poor little mortal!"

He was ashamed. He folded his arms, and sat on the ridge of the roof looking up at them.

"So hot, so bitter, so angry?"

It was as though a cold hand had been laid upon his throbbing forehead, and slowly they began to fade and grow dim. Tant' Sannie and the burnt book, Bonaparte and the broken machine, the box in the loft, he himself sitting there - how small they all became! Even the grave over yonder. Those stars that shone on up above so quietly, they had seen a thousand such little existences, a thousand such little existences fight just so fiercely, flare up just so brightly, and go out; and they, the old, old stars shone on for ever.

"So hot, so angry, poor little soul?" they said.

The "reim" slipped from his fingers; he sat with his arms folded, looking up.

"We," said the stars, "have seen the earth when it was young. We have seen small things creep out upon its surface - small things that prayed and loved and cried very loudly, and then crept under it again. But we," said the stars, "are as old as the Unknown."

♥ That was a long wild night, and wild thoughts came and went in it; but they left their marks behind them for ever: for, as years cannot pass without leaving their traces behind them, neither can nights into which are forced the thoughts and sufferings of years.

♥ "Waldo," she said, as she helped him to stand up, and twisted his arm about her waist to support him, "we will not be children always; we shall have the power too, some day." She kissed his naked shoulder with her soft little mouth. It was all the comfort her young soul could give him.

♥ The troubles of the young are soon over; they leave no external mark. If you wound the tree in its youth the bark will quickly cover the gash; but when the tree is very old, peeling the bark off, and looking carefully, you will see the scar there still. All that is buried is not dead.

♥ They say that in the world to come time is not measured out by months and years. Neither is it here. The soul's life has seasons of its own; periods not found in any calendar, times that years and months will not scan, but which are as deftly and sharply cut off from one another as the smoothly-arranged years which the earth's motion yields us.

To stranger eyes these divisions are not evident; but each looking back at the little track his consciousness illuminates, sees it cut into distinct portions, whose boundaries are the termination of mental states.

As man differs from man, so differ these souls' years. The most material life is not devoid of them; the story of the most spiritual is told in them.

♥ In the day we learn our letters, and are troubled because we cannot see why k-n-o-w should be know, and p-s-a-l-m. They tell us it is so because it is so. We are not satisfied; we hate to learn; we like better to build little stone houses. We can build them as we please, and know the reason for them.

♥ One day we sit there and look up at the blue sky, and down at our fat little knees; and suddenly it strikes us, Who are we? This I, what is it? We try to look in upon ourself, and ourself beats back upon ourself. Then we get up in great fear and run home as hard as we can. We can't tell anyone what frightened us. We never quite lose that feeling of self again.

♥ Occasionally, also, unpleasantly shrewd questions begin to be asked by someone, we know not who, who sits somewhere behind our shoulder. We get to know him better afterwards. Now we carry the questions to the grown-up people, and they give us answers. We are more or less satisfied for the time. The grown-ups people are very wise, and they say it was kind of God to make hell, and very loving of Him to send men there; and besides, He couldn't help Himself; and they are very wise, we think, so we believe them - more or less.

♥ Before us there were three courses possible - to go mad, to die, to sleep.

We take the latter course; or Nature takes it for us.

All things take rest in sleep; the beasts, birds, the very flowers close their eyes, and the streams are still in winter; all things take rest; then why not the human reason also?

♥ Though you hear all the dreams of men, you will hardly find a prettier one than ours. It ran so:

In the centre of all things is a Mighty Heart, which, having begotten all things, loves them; and, having born them into life, beats with great throbs of love towards them. No death for His dear insects, no hell for His dear men, no burning up for His dear world - His own, own world that He has made. In the end all will be beautiful. Do not ask us how we make our dream tally with facts; the glory of a dream is this - that it despises facts, and makes its own. Our dream saves us from going mad; that is enough.

♥ When a man sits in the warm sunshine, do you ask him for proof of it? He feels - that is all. And we feel - that is all. We want no proof of our God. We feel, we feel!

We do not believe in our God because the Bible tells us of Him. We believe in the Bible because He tells us of it. We feel Him, we feel Him, we feel - that is all! And the poor half-swamped Devil mutters:

"But if the day should come when you do not feel?"

And we laugh, and cry him down.

"It will never come - never," and the poor Devil slinks to sleep again, with his tail between his legs. Fierce assertion many times repeated is hard to stand against; only time separates the truth from the lie. So we dream on.

♥ Then the man in the pulpit begins to preach. His text is "He that believeth not shall be damned."

The day before, the magistrate's clerk, who was an atheist, has died in the street, struck by lightning.

The man in the pulpit mentions no name; but he talks of "The hand of God made visible among us." He tells us how, when the white stroke fell, quicering and naked, the soul fled, robbed of his earthly filament, and lay at the footstool of God how over its head has been poured out the wrath of the Mighty One, whose existence it has denied; and, quivering and terrified, it has fled to the everlasting shade.

We, as we listen, half start up; every drop of blood in our body has rushed to our head. He lies! he lies! he lies! That man in the pulpit lies! Will no one stop him? Have none of them heard - do none of them know, that when the poor dark soul shut its eyes on earth it opened them in the still light of heaven? that there is no wrath where God's face is? that if one could once creep to the footstool of God, there is everlasting peace there? like the fresh stillness of the early morning. While the atheist lay wondering and afraid, God bent down and said, "My child, here I am - I, whom you have not known; I, whom you have not believed in; I am here. I sent My messenger, the white sheet lightning, to call you home. I am here."

Then the poor soul turned to the light, - its weakness and pain were gone for ever.

Have they not known, have they not heard, who it is rules?

♥ All things on earth have their price; and for truth we pay the dearest. We barter it for love and sympathy. The road to honour is paved with thorns; but on the path to truth, at every step you set your foot down on your heart.

♥ Now life takes us by the neck and shows us a few other things, - new-made graves with the red sand flying about them; eyes that we love with the worms eating them; evil men walking sleek and fat, the whole terrible hurly-burly of the thing called life, - and she says, "What do you think of these?" We dare not say, "Nothing." We feel them; they are very real. But we try to lay our hands about and feel that other thing we felt before. In the dark night in the fuel-room we cry to our Beautiful dream-god - "Oh, let us come near you, and lay our head against your feet. Now in our hour of need be near us." But He is not there; He is gone away. The old questioning Devil is there.

We must have been awakened sooner or later. The imagination cannot always triumph over reality, the desire over truth. We must have been awakened. If it was done a little sharply, what matter? It was done thoroughly, and it had to be done.

♥ "The ox dies in the yoke, beneath its master's whip; it turns its anguish-filled eyes on the sunlight, but there is no sign of recompense to be made it. The black man is shot like a dog, and it goes well with the shooter. The innocent are accursed, and the accuser triumphs. If you will take the trouble to scratch the surface anywhere, you will see under the skin a sentient being writhing in impotent anguish."

♥ What a soul drinks in with its mother's milk will not leave it in a day. From our earliest hour we have been taught that the thought of the heart, the shaping of the rain-cloud, the amount of wool that grows on a sheep's back, the length of a drought, and the growing of the corn, depend on nothing that moves immutable, at the heart of all things; but on the changeable will of a changeable being, whom our prayers can alter. To us, from the beginning, Nature has been but a poor plastic thing, to be toyed with this way or that, as man happens to please his deity or not; to go to church or not; to say his prayers right or not; to travel on a Sunday or not. Was it possible for us in an instant to see Nature as she is - the flowing vestment of an unchanging reality? When a soul break free from the arms of a superstition, bits of the claws and talons break themselves off in him. It is not the work of a day to squeeze them out.

♥ Whether a man believes in a human-like God or no is a small thing. Whether he looks into the mental and physical world and sees no relation between cause and effect, no order, but a blind chance sporting, this is the mightiest fact that can be recorded in any spiritual existence. It were almost a mercy to cut his throat, if indeed he does not do it for himself.

♥ One day a snake coils itself round the waist of a Kaffir woman. We take it in our hand, swing it round and round, and fling it on the ground - dead. Everyone looks at us with eyes of admiration. We almost laugh. Is it wonderful to risk that for which we care nothing?

♥ We have thought we were utterly stupid, incapable of remembering anything, of learning anything. Now we find that all is easy. Has a new soul crept into this old body, that even our intellectual faculties are changed? We marvel; not perceiving that what a man spends in prayer and ecstasy he cannot have over for acquiring knowledge. You never shed a tear or create a beautiful image, or quiver with emotion, but you pay for it at the practical, calculating end of your nature. You have just so much force: when the one channel runs over the other runs dry.

And now we turn to Nature. All these years we have lived beside her, and we have never seen her; now we open our eyes and look at her.

...This rock here is covered with a delicate silver tracery, in some mineral, resembling leaves and branches; there on the flat stone, on which we so often have sat to weep and pray, we look down and see it covered with the fossil footprints of great birds, and the beautiful skeleton of a fish. We have often tried to picture in our mind what the fossiled remains of creatures must be like and all the while we sat on them. We have been so blinded by thinking and feeling that we have never seen the world.

♥ So we plant seeds in rows on our dam-wall, and pull one up daily to see how it goes with them. Alladeen buried her wonderful stone, and a golden palace sprang up at her feet. We do far more. We put a brown seed in the earth, and a living thing starts out - starts upwards - why, no more than Alladeen can we say - starts upwards, and does not desist till it is higher than our heads, sparkling with dew in the early morning, glittering with yellow blossoms, shaking brown seeds with little embryo souls on to the ground. We look at it solemnly, from the time it consists of two leaves peeping above the ground and a soft white root, till we have to raise our faces to look at it; but we find no reason for that upward starting.

♥ A gander drowns in our dam. We take it out, and open it on the bank, and kneel, looking at it. Above are the organs divided by delicate tissues; below are the intestines artistically curved in a spiral form, and each tier covered by a delicate network of blood-vessels standing out red against the faint blue background. Each branch of the blood-vessels is comprised of a trunk, bifurcating and rebifurcating into the most delicate, hairlike threads, symmetrically arranged. We are stuck with its singular beauty. And, moreover - and here we drop from our kneeling into a sitting posture - this also we remark: of that same exact shape and outline is our thorn-tree seen against the ski in mid-winter: of that shape also is delicate metallic tracery between our rocks; in that exact path does our water flow when without a furrow we lead it from the dam; so shaped are the antlers of the horned beetle. How are these things related that such deep union should exist between them all? Is it chance? Or, are they not all the fine branches of one trunk, whose sap flows through us all? That would explain it. We nod over the gander's inside.

♥ "One night, as he wandered in the shade, very heart-sore and weeping, and old man stood before him, grander and taller than the sons of men.

"'Who are you?' asked the hunter.

"'I am Wisdom,' answered the old man; 'but some men called me Knowledge. All my life I have grown in these valleys; but no man sees me till he has sorrowed much. The eyes must be washed with tears that are to behold me; and, according as a man has suffered, I speak.'

"And the hunter cried:

"'Oh, you who have lived here so long, tell me, what is that great wild bird I have seen sailing in the blue? They would have me believe she is a dream; the shadow of my own head.'

"The old man smiled.

"'Her name is Truth. He who has once seen her never rests again. Till death he desires her.'"

♥ "'Many men,' he said, 'have spread that net for Truth; but they have never found her. On the grains of credulity she will not feed; in the net of wishes her feet cannot be held; in the air of these valleys she will not breathe. The birds you have caught are of the brood of Lies. Lovely and beautiful, but still lies; Truth knows them not. ... He will never see her, never hold her. The time is not yet.'"

"'Then there is no hope?' cried the hunter.

"'There is this,' said Wisdom. 'Some men have climbed on those mountains; circle above circle of bare rock they have scaled; and, wandering there, in those high regions, some have chanced to pick up on the ground, one white silver feather, dropped from the wing of Truth. And it shall come to pass,' said the old man, raising himself prophetically, and pointing with his finger to the sky, 'it shall come to pass, that, when enough of those silver feathers shall have been gathered by the hands of men, and shall have been woven into a cord, and the cord into a net, that in that net Truth may be captured. Nothing but Truth can hold Truth.'"

♥ "He went to his cage, and with his hands broke down the bars, and the jagged iron tore his flesh. It is sometimes easier to build than to break."

♥ "'I have sought,' he said, 'for long years I have laboured; but I have not found her. I have not rested, I have not repined, and I have not seen her; now my strength is gone. Where I lie down worn out other men will stand, young and fresh. By the steps that I have cut they will climb; by the stairs that I have built they will mount. They will never know the name of the man who made them. At the clumsy work they will laugh; when the stones roll they will curse me. But they will mount, and on my work; they will climb, and by my stair! They will find her, and through me! And no man liveth to himself, and no man dieth to himself.'"

♥ "Certainly," said the stranger, "the whole of the story is not written here, but it is suggested. And the attribute of all true art, the highest and the lowest, is this - that it says more than it says, and takes you away from itself. It is a little door that opens into an indefinite hall where you may find what you please. Men thinking to detract, say, 'People read more in this or that work of genius than was ever written in it,' not perceiving that they pay the highest compliment. If we pick up the finger and nail of a real man, we can decipher a whole story - could almost reconstruct the creature again, from head to foot. But half the body of a Mumboo-jumbow idol leaves us utterly in the dark as to what the rest was like. We see what we see, but nothing more. There is nothing so universally intelligible as truth. It has a thousand meanings, and suggests a thousand more." He turned over the wooden thing. "Though a man should carve it into matter with the least possible manipulative skill, it will yet find interpreters. It is the soul that looks out with burning eyes through the most gross fleshy filament. Whosoever should portray truly the life and death of a little flower - its birth, sucking in of nourishment, reproduction of its kind, withering and vanishing - would have shaped a symbol of all existence."

♥ "Skill may come in time, but you will have to work hard. The love of beauty and the desire for it must be born in a man; the skill to reproduce it he must make. He must work hard."

♥ It is not till the past has recorded many steps that before the clearest eyes it falls into co-ordinate pictures. It is not till the "I" we tell of has ceased to exist that it takes its place among other objective realities, and finds its true niche in the picture. The present and the near past is a confusion, whose meaning flashes on us as it slinks away into the distance.

♥ "To all who have been born in the old faith there comes a time of danger, when the old slips from us, and we have not yet planted our feet on the new. We hear the voice from Sinai thundering no more, and the still small voice of reason is not yet heard. We have proved the religion our mothers fed us on to be a delusion; in our bewilderment we see no rule by which to guide our steps day by day; and yet every day we must step somewhere." The stranger leaned forward and spoke more quickly. "We have never once been taught by word or act to distinguish between religion and the moral laws on which it has artfully fastened itself, and from which it has sucked its vitality. When we have dragged down the weeds and creepers that covered the solid wall and have found them to be rotten wood, we imagine the wall itself to be rotten wood too. We find it is solid and standing only when we fall headlong against it. We have been taught that all right and wrong originate in the will of an irresponsible being. It is some time before we see how the inexorable 'Thou shalt and shalt not,' are carved into the nature of things. This is the time of danger."

His dark, misty eyes looked into the boy's.

"In the end experience will inevitably teach us that the laws for wise and noble life have a foundation infinitely deeper than the fiat of any being, God or man, even in the groundwork of human nature. She will teach us that whoso sheddeth man's blood, though by man his blood be not shed, though no man avenge and no hell await, yet every drop shall blister on his soul and eat in the name of the dead. She will teach that whoso take a love not lawfully his own, gathers a flower with a poison on its petals; that whose revenges, strikes with a sword that has two edges - one for his adversary, one for himself; that who lives to himself is dead, though the ground is not yet on him; that who wrongs another clouds his own soul and that who sins in secret stands accused and condemned before the one Judge who deals eternal justice - his own all-knowing self.

"Experience will teach us this, and reason will show us why it must be so; but at first the word swings before our eyes and no voice cries out, 'This is the way, walk ye in it!' You are happy to be here, boy! When the suspense fills you with pain you build stone walls and dig earth for relief. Others have stood where you stand today, and have felt as you feel; and other relief has been offered them, and they have taken it.

"When the day has come when they have seen the path in which they might walk, they have not the strength to follow it. Habits have fastened on them from which nothing but death can free them; which cling closer than his sacerdotal sanctimony to a priest; which feed on the intellect like a worm sapping energy, hope, creative power, all that makes a man higher than a beast - leaving only the power to yearn, to regret, and to sink lower in the abyss."

♥ "You speak so because you do not know men," said Em, instantly assuming the dignity of superior knowledge so universally affected by affianced and married women in discussing man's nature with their uncontracted sisters.

♥ "Don't you wish you were a woman, Waldo?"

"No," he answered readily.

She laughed.

"I thought not. Even you are too worldly-wise for that. I never met a man who did. This is a pretty ring," she said, holding out her little hand, that the morning sun might make the diamonds sparkle. "Worth fifty pounds at least. I will give it to the first man who tells me he would like to be a woman. There might be one on Robbin Island, who would win it perhaps, but I doubt it even there. It is delightful to be a woman; but every man thanks the Lord devoutly that he isn't one."

♥ "My head swings sometimes. But this one thought stands, never goes - if I might but be one of those born in the future; then, perhaps, to be born a woman will not be to be born branded."

Waldo looked at her. It was hard to say whether she were in earnest or mocking.

"I know it is foolish. Wisdom never kicks at the iron walls it can't bring down," she said. "But we are cursed, Waldo, born cursed from the time our mothers bring us into the world till the shrouds are put on us. Do not look at me as though I were talking nonsense. Everything has two sides - the outside that is ridiculous, and the inside that is solemn."

"I am not laughing," said the boy sedately enough; "but what curses you?"

He thought she would not reply to him, she waited so long.

"It is not what is done to us, but what is made of us," she said at last, "that wrongs us. No man can be really injured but by what modifies himself. We all enter the world little plastic beings, with so much natural force, perhaps, but for the rest - blank; and the world tells us what we are to be, and shapes us by the ends it sets before us. To you it says - Work! and to us it says - Seem! To you it says - As you approximate to man's highest ideal of God, as your arm is strong and your knowledge great, and the power to labour is with you, so you shall gain all that human heart desires. To us it says - Strength shall not help you, nor knowledge, nor labour. You shall gain what men gain, but by other means. And so the world makes men and women.

"Look at this little chin of mine, Waldo, with the dimple in it. It is but a small part of my person; but though I had a knowledge of all things under the sun, and the wisdom to use it, and the deep loving heart of an angel, it would not stead me through life like this little chin. I can win money with it, I can win love; I can win power with it, I can win fame. What would knowledge help me? The less a woman has in her head the lighter she is for climbing. I once heard an old man say, that he never saw intellect help a woman so much as a pretty ankle; and it was the truth. They begin to shape us to our cursed end," she said, with her lips drawn in to look as though they smiled, "when we are tiny things in shoes and socks. We sit with our little feet drawn up under us in the window, and look out at the boys in their happy play. We want to go. Then a loving hand is laid on us: 'Little one, you cannot go,' they say: 'your face will burn, and your nice white dress be spoiled.' We feel it must be for our good, it is so lovingly said; but we cannot understand: and we kneel still with one little cheek wistfully pressed against the pane. Afterwards we go and thread blue beads, and make a string for our neck; and we go and stand before the glass. We see the complexion we were not to spoil, and the white frock, and we look into our own great eyes. Then the curse begins to act on us. It finishes its work when we are grown women, who no more look out wistfully at a more healthy life; we are contented. We fit our sphere as a Chinese woman's foot fits her shoes, exactly, as though God had made both - and yet He knows nothing of either. In some of us the shaping to our end has been quite completed. The parts we are not to use have been quite atrophied, and have even dropped off; but in others, and we are not less to be pitied, they have been weakened and left. We wear the bandages, but out limbs have not grown to theml; we know that we are compressed, and chafe against them.

"But what does it help? A little bitterness, a little longing when we are young, a little futile searching for work, a little passionate striving for room for the exercise of our powers, - and then we go with the drove. A woman must march with her regiment. In the end she must be trodden down or go with it; and if she is wise she goes.

"I see in your great eyes what you are thinking," she said, glancing at him; "I always know what the person I am talking to is thinking of. How is this woman who makes such a fuss worse off than I? I will show you by a very litte example. We stand here at this gate this morning, both poor, both young, both friendless; there is not much to choose between us. Let us turn away just as we are, to make our way in life. This evening you will come to a farmer's house. The farmer, albeit you come alone and on foot, will give you a pipe of tobacco and a cup of coffee and a bed. If he has no dam to build and no child to teach, tomorrow you can go on your way with a friendly greeting of the hand. If I come to the same place tonight, will have strange questions asked me, strange glances cast on me. The Boer-wife will shake her head and give me food to eat with the Kaffirs, and a light to sleep with the dogs. That would be the first step in our progress - a very little one, but every step to the end would repeat it. We were equals once when we lay newborn babes on our nurse's knees. We will be equals again when they tie up our jaws for the last sleep."

♥ "Power!" she said suddenly, smiting her little hand upon the rail. "Yes, we have power; and since we are not to expend it in tunnelling mountains, nor healing diseases, nor making laws, nor money, nor on any extraneous object, we expend it on you. You are our goods, our merchandise, our material for operating on; we buy you, we sell you, we make fools of you, we act the wily old Jew with you, we keep six of you crawling to our little feet, and praying only for a touch of our little hand; and they say truly, there was never an ache or a pain or a broken heart but a woman was at the bottom of it. We are not to study law, nor science, nor art; so we study you. There is never a nerve or fibre in your man's nature but we know it. We keep six of you dancing in the palm of one little hand," she said, balancing her outstretched arm gracefully, as though tiny beings disported themselves in its palm. "There - we throw you away, and you sink to the Devil," she said, folding her arms composedly. "There was never a man who said one word for woman but he said two for man, and three for the whole human race."

♥ "They bring weighty arguments against us when we ask for the perfect freedom of woman," she said; "but, when you come to the objections, they are like pumpkin devils with candles inside; hollow, and can't bite. They say that women do not wish for the sphere and freedom we ask for them and would not use it!

"If the bird does like its cage, and does like its sugar, and will not leave it, why keep the door so very carefully shut? Why not open it, only a little? Do they know there is many a bird will not break its wings against the bars, but would fly if the doors were open." She knit her forehead, and leaned further over the bars.

"Then they say, 'If the women have the liberty you ask for, they will be found in positions for which they are not fitted!' If two men climb one ladder, did you ever see the weakest anywhere but at the foot? The surest sign of fitness is success. The weakest never wins but where there is handicapping. Nature left to herself will as beautifully apportion a man's work to his capacities as long ages ago she graduated the colors on the bird's breast. If we are not fit, you give us to no purpose the right to labour; the work will fall out of our hands into those that are wiser.

..."They say women have one great and noble work left then, and they do it ill. - That is true; they do it execrably. It is the work that demands the broadest culture, and they have not even the narrowest. The lawyer may see no deeper than his law books, and the chemist see no further than the windows of his laboratory, and they may do their work well. But the woman who does woman's work needs a many-sided, multiform culture; the heights and depths of human life must not be beyond the reach of her vision; she must have knowledge of men and things in many states, a wide catholicity of sympathy, the strength that springs from knowledge, and the magnanimity which springs from strength. We bear the world, and we make it. The souls of little children are marvellously delicate and tender things, and keep for ever the shadow that first falls on them, and that is the mother's or at best a woman's. There was never a great man who had not a great mother - it is hardly an exaggeration. The first six years of our life make us; all that is added later is veneer; and yet some say, if a woman can cook a dinner or dress herself well she has culture enough."

♥ "I wonder how many men there are who would give up everything that is dear in life for the sake of maintaining a high ideal purity."

She laughed a little laugh that was clear without being pleasant. "And then, when they have no other argument against us, they say - 'Go on; but when you have made women what you wish, and her children inherit her culture, you will defeat yourself. Man will gradually become extinct from excess of intellect, the passions which replenish the race with die.' Fools!" she said, curling her pretty lip. "A Hottentot sits at the roadside and feeds on a rotten bone he has found there, and takes out his bottle of Cape-smoke and swills at it, and grunts with satisfaction; and the cultured child of the nineteenth century sits in his armchair, and sips choice wines with the lip of a connoisseur, and tastes delicate dishes with a delicate palate, and with a satisfaction of which the Hottentot knows nothing. Heavy jaw and slowing foreheads - all have gone with increasing intellect; but the animal appetites are these still; - refined, discriminative, but immeasurably intensified. Fools! Before men forgave or worshipped, while they still were weak on their hind legs, did they not eat, and fight for wives? When all the later additions to humanity have vanished, will not the foundation on which they are built remain?"

♥ "Then when that time comes," she said slowly, "when love is no more bought or sold, when it is not a means of making bread, when each woman's life is filled with earnest, independent labour, then love will come to her, a strange sudden sweetness breaking in upon her earnest work, not sought for, but found."

♥ "We shall find nothing new in human nature after we have once carefully dissected and analysed the one being we ever shall truly know - ourself."

♥ "And sometimes what is more amusing still than tracing the likeness between man and man, is to trace the analogy there always is between the progress and development of one individual and of a whole nation; or again, between a single nation and the entire human race. It is pleasant when it dawns on you that the one is just the other written out in large letters; and very odd to find all the little follies and virtues, and developments and retrogressions, written out in the big world's book that you find in your little internal self."

♥ "It must be very nice to believe in the Devil," she said; "I wish I did. If it would be of any use I would pray three hours night and morning on my bare knees, "God, let me believe in Satan." He is so useful to those people who do. They may be as selfish and as sensual as they please, and, between God's will and the Devil's' action, always have some one to throw their sin on."

♥ "Waldo," she said gently, with a sudden and complete change of manner, "I like you so much, I love you." She rested her cheek softly against his shoulder. "When I am with you I never know that I am a woman and you are a man; I only know that we are both things that think. Other men when I am with them, whether I love them or not, they are mere bodies to me; but you are a spirit; I like you."

♥ "It is so nice to lie here and hear that noise," she said. "I like to feel that strange life beating up against me. I like to realize forms of life utterly unlike mine." She drew a long breath. "When my own life feels small, and I am oppressed with it, I like to crush together, and see it in a picture, in an instant, a multitude of disconnected unlike phases of human life - mediæval monk with his string beads pacing the quiet orchard, and looking up from the grass at his feet to the heavy fruit-trees; little Malay boys playing naked on a shining sea-beach; a Hindoo philosopher alone under his banyan tree, thinking, thinking, thinking, so that in the thought of God he may lose himself; a troop of Bacchanalians dressed in white, with crowns of vine-leaves, dancing along the Roman streets; a martyr on the night of his death looking through the narrow window to the sky, and feeling that already he has the wings that shall bear him up" (she moved her hand dreamily over her face); "an epicurean discoursing at a Roman bath to a knot of his disciples on the nature of happiness; a Kaffir witch-doctor seeking for herbs by moonlight, while from the huts on the hill-side come the sound of dogs barking, and the voices of women and children; a mother giving bread and milk to her children in little wooden basins and singing the evening song. I like to see it all; I feel it run through me - that life belongs to me; it makes my little life larger; it breaks down the narrow walls that shut me in."

♥ "If she has made blunders in the past, if she has weighted herself with a burden which she must bear to the end, she must but bear the burden bravely, and labour on. There is no use in wailing and repentance here: the next world is the place for that; this life is too short. By our errors we see deeper into life. They help us."

♥ "But we must not think so far; it is madness, it is a disease. We know that no man's work is great, and stands for ever. Moses is dead, and the prophets, and the books that our grandmothers fed on the mould is eating. Your poet and painter and actor, - before the shouts that applaud them have died their names grow strange, they are milestones that the world has passed. Men have set their mark on mankind for ever, as they thought; but time has washed it out as it has washed out mountains and continents." She raised herself on her elbow. "And what, if we could help mankind, and leave the traces of our work upon it to the end? Mankind is only an ephemeral blossom on the tree of time; there were others before it opened; there will be others after it has fallen. Where was man in the time of the dicynodont, and when hoary monsters wallowed in the mud? Will he be found in the æons that are to come? We are sparks, we are shadows, we are pollen, which the next wind will carry away. We are dying already; it is all a dream."

♥ "I will tell you," he added, in a still lower voice, "where I could pray. If there were a wall of rock on the edge of a world, and one rock stretched out far, far into space, and I stood alone upon it, alone, with stars above me, and stars below me - I would not say anything; but the feeling would be prayer."

♥ "I don't know much about love," she said, "and I do not like to talk of things I do not understand; but I have heard two opinions. Some say the Devil carried the seed from hell, and planted it on the earth to plague men and made them sin; and some say, that when all the plants in the garden of Eden were pulled up by the roots, one bush that the angels had planted was left growing, and it spread its seed over the whole earth, and its name is love. I do not know which is right - perhaps both. There are different species that go under the same name. There is a love that begins in the head, and goes down to the heart, and grows slowly; but it lasts till death, and asks less than it gives. There is another love, that blots out wisdom, that is sweet with the sweetness of life and bitter with the bitterness of death, lasting for an hour; but is worth having lived a whole life for that hour. I cannot tell: perhaps the old monks were right when they tried to root love out; perhaps the poets are right when they try to water it. It is a blood-red flower, with the colour of sin; but there is always the scent of a good about it.

..."There are as many kinds of loves as there are flowers; everlastings that never wither; speedwells that wait for the wind to fan them out of life; blood-red mountain-lilies that pour their voluptuous sweetness out for one day, and lie in the dust at night. There is no flower has the charm of all - the speedwell's purity, the everlasting's strength, the mountain-lily's warmth; but who knows whether there is no love that holds all - friendship, passion, worship?

"Such a love," she said, in her sweetest voice, "will fall on the surface of strong, cold, selfish life as the sunlight falls on a torpid winter world; there, where the trees are bare, and the ground frozen, till it rings to the step like iron, and the water is solid, and the air is sharp as the two-edged knife, that cuts the unwary. But, when its sun shines on it, through its whole dead crust a throbbing yearning wakes: the trees feel him, and every knot and bud swell, aching to open to him. The brown seeds, who have slept deep under the ground, feel him, and he gives them strength, till they break through the frozen earth, and lift two tiny, trembling green hands in love to him. And he touches the water, till down to its depths it feels him and melts, and it flows, and the things, strange sweet things that were locked up in it; it sings as it runs, for love of him. Each plant tries to bear at least one fragrant little flower for him; and the world that was dead lives, and the heart that was dead and self-centred throbs, with an upward, outward yearning, and it has become that which it seemed impossible ever to become."

♥ The water gathered slowly on her shawl, and fell on to the wet stones; but she lay there crying bitterly. For so the living soul will cry to the dead, and the creature to its God; and of all this crying there comes nothing. The lifting up of the hands brings no salvation; redemption is from within, and neither from God nor man: it is wrought out by the soul itself, with suffering and through time.

♥ Presently she looked up. The large dark eyes from the glass looked back at her. She looked deep into them.

"We are all alone, you and I," she whispered; "no one helps us, no one understands us; but we will help ourselves." The eyes looked back at her. There was a world of assurance in their still depths. So they had looked at her ever since she could remember, when it was but a small child's face above a blue pinafore. "We shall never be quite alone, you and I," she said; "we shall always be together, as we were when we were little."

The beautiful eyes looked into the depths of her soul.

"We are not afraid; we will help ourselves!" she said. She stretched out her hand and pressed it over them on the glass. "Dear eyes! we will never be quite alone till they part us; - till then!"

♥ "Forget! forget!" ejaculated Gregory. "You can forget all the world, but you cannot forget yourself. When one thing is more to you than yourself, how are you to forget it?"

♥ "My body was strong and well to work, but my brain was dead. If you have not felt it, Lyndall, you cannot understand it. You may work, and work, and work, till you are only a body, not a soul. Now, when I see one of those evil-looking men that come from Europe - navvies, with the beast-like, sunken face, different from any Kaffir's - I know what brought that look into their eyes; and if I have only one inch of tobacco I give them half. It is work, grinding, mechanical work, that they or their ancestors have done, that has made them into beats. You may work a man's body so that his soul dies. Work is good. I have worked at the old farm from the sun's rising till its setting, but I have had time to think, and time to feel. You may work a man so that all but the animal in him is gone; and that grows stronger with physical labour. You may work a man till he is a devil."

♥ "But, Lyndall, sin looks much more terrible to those who look at it than to those who do it. A convict, or a man who drinks, seems something so far off and horrible when we see him; but to himself he seems quite near to us, and like us. We wonder what kind of a creature he is; but he is just we, ourselves. We are only the wood, the knife that carves on us is the circumstance."

♥ "Of all the things I have ever seen, only the sea is like a human being; the sky is not, nor the earth. But the sea is always moving, always something deep in itself is stirring it. It never rests; it is always wanting, wanting, wanting. It hurries on; and then it creeps back slowly without having reached moaning. It is always asking a question, and it never gets an answer. I can hear it in the day and in the night; the white foam breakers are saying that which I think. I walk alone with them when there is no one to see me, and I sing with them. I lie down on the sand and watch them with my eyes half shut. The sky is better, but it is so high above our heads. I love the sea. Sometimes we must look down too."

♥ "Lyndall, they made heaven right when they made it all music."

♥ If you have a deadly fruit to give, it will not grow sweeter by keeping.

♥ "I see the vision of a poor weak soul striving after good. It was not cut short; and, in the end, it learnt, through tears and such pain, that holiness is an infinite compassion for others; that greatness is to take the common things of life and walk truly among them; that" - she moved her white hand and laid it on her forehead - "happiness is a great love and much serving. It was not cut short; and it loved what it had learnt - it loved -"

♥ He cried more bitterly: "It is for this hour - this - that men blind reason, and crush our thought! For this hour - this, this - they barter truth and knowledge, take any lie, any creed, so it does not whisper to them of the dead that they are dead! Oh, God! God! for a Hereafter!"

Pain made his soul weak; it cried for the old faith. They are the tears that fall into the new-made grave that cement the power of the priest. For the cry of the soul that loves and loses is this: "Bridge over Death; blend the Here with the Hereafter; cause the mortal to robe himself in immortality; let me not say of my Dead that it is dead! I will believe all else, bear all else, endure all else!"

♥ For the soul's fierce cry for immortality is this, - only this: - Return to me after death the thing as it was before. Leave me in the Hereafter the being that I am today. Rob me of the thoughts, the feelings, the desires that are my life, and you have left nothing to take. Your immortality is annihilation, your Hereafter is a lie.

♥ All dies, all dies! the roses are red with the matter that once reddened the cheek of the child; the flowers bloom the fairest on the last year's battle-ground; the work of death's finger cunningly wreathed over is at the heart of all things, even of the living. Death's finger is everywhere. The rocks are built up of a life that was. Bodies, thoughts, and loves die: from where springs that whisper to the tiny soul of man. "You shall not die"? Ah, is there no truth of which this dream is shadow?

♥ Was it only John, think you, who saw the heavens open? The dreamers see it every day.

♥ So age succeeds age, and dream succeeds dream, and of the joy of the dreamer no man knoweth but he who dreameth.

Our fathers had their dreams; we have ours; the generation that follows will have its own. Without dreams and phantoms man cannot exist.

♥ "Why is it always so, Waldo, always so?" she said; "we long for things, and long for them, and pray for them; we would give all we have to come near to them, but we never reach them. Then at last, too late, just when we don't want them any more, when all the sweetness is taken out of them, then they come. We don't want them then."

♥ Waldo, as he sat with his knees drawn up to his chin and his arms folded on them, looked at it all and smiled. An evil world, a deceitful, treacherous, mirage-like world, it might be; but a lovely world for all that, and to sit there gloating in the sunlight was perfect. It was worth having been a little child, and having cried and prayed, so one might sit there. He moved his hands as though he were washing them in the sunshines. There will always be something worth living for while there are shimmery afternoons.

♥ There are only rare times when a man's soul can see Nature. So long as any passion holds its revel there, the eyes are holden that they should not see her.

Go out if you will, and walk alone on the hill-side in the evening, but if your favourite child lies ill at home, or your lover comes tomorrow, or at your heart there lies a scheme for the holding of wealth, then you will return as you went out; you will have seen nothing. For Nature, ever, like the old Hebrew God, cries out, "Thou shalt have no other gods before me." Only then, when there comes a pause, a blank in your life, when the old idol is broken, when the old hope is dead, when the old desire is crushed, then the Divine compensation of Nature is made manifest. She shows herself to you. So near she draws you, that the blood seems to flow from her to you, through a still uncut cord: you feel the throb of her life.

When that day comes, that you sit down broken, without one human creature to whom you cling, with your loves the dead and the living-dead; when the very thirst for knowledge through long-continued thwarting has grown dull; when in the present there is no craving and in the future no hope, then, oh, with a beneficent tenderness, Nature enfolds you.

Then the large white snowflakes as they flutter down softly, one by one, whisper soothingly, "Rest, poor heart, rest!" It is as though our mother smoothed our hair, and we are comforted.

And yellow-legged bees as they hum make a dreamy lyric; and the light on the brown stone wall is a great work of art; and the glitter through the leaves makes the pulse beat.

Well to die then; for, if you live, so surely as the years come, so surely as the spring succeeds the winter, so surely will passions arise. They will creep back, one by one, into the bosom that has cast them forth, and fasten there again, and peace will go. Desire, ambition, and the fierce agonizing flood of love for the living - they will spring again. Then Nature will draw down her veil: with all your longing you shall not be able to raise one corner; you cannot bring back those peaceful days. Well to die then!

♥ Ah, to love on so, year after year, how well! Always in the present; letting each day glide, bringing its own labour, and its own beauty; the gradual lighting up of the hills, night and the stars, firelight and the coals! To live on so, calmly, far from the paths of men; and to look at the lives of clouds and insects; to look deep into the heart of flowers and see how lovingly the pistil and the stamens nestle there together and to see in the thorn-pods how the little seeds suck their life through the delicate curled-up string, and how the little embryo sleeps inside! Well, how well, to sit so on one side, taking no part in the world's life; but when great men blossom into books looking into those flowers also, to see how the world of men too opens beautifully, leaf after leaf. Ah! life is delicious; well to live long, and see the darkness breaking, and the day coming! The day when soul shall not thrust back soul that would come to it; when men shall not be driven to seek solitude, because of the crying-out of their hearts for love and sympathy. Well to live long and see the new time breaking. Well to live long; life is sweet, sweet, sweet!

1880s, fiction, bildungsroman, religion - atheism (fiction), 3rd-person narrative, literature, social criticism (fiction), south african - fiction, feminism (fiction), philosophical fiction, religion (fiction), african - fiction, religion - christianity (fiction), 19th century - fiction

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