When I posted Sideline as a WIP, I remarked a few times that the plot had crack tendencies, and Bev was kind enough to comment that she didn’t see crack at all. And this led to me having thoughts about my perception of the ‘desirable’ TS plot and why I felt that way.
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I throw a flimsy veil of meta over naked navel gazing )
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I really like the fact that I can't get jossed with TS, and from a slash pov, the series finale is about as good as it gets - our boys go off into the sunset together sans any inconvenient women.
I don't mean this post to sound 'poor oppressed me' because many of the perceptions we bring to fandoms can become rods to beat our own backs. But is interesting to look back from a three years perspective and think about what I came in with and what I'm operating on now, which is, I think, becoming quite different. ::blesses LJ::
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I hope not! I firmly believe that a good writer can "sell" any idea, no matter how seemingly far-fetched. I also believe that pushing the envelope is healthy, and that no one has the right to determine what is and isn't "acceptable" within a fandom -- that borders on censorship which, in my opinion, is unacceptable. So, please continue to write what you want to write!
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I don't think that it has ever bothered me enough to want to hang up my word processor, and I suspect that part of the issue (besides my issues *eg*) is the method of entering fandom. Different areas of approach create different perspectives, and given that TS has been my obsessive love for over three years, I felt like a little retrospective.
And as far as the wacky side of fandom goes, I indulged myself with a few synopses here
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Interestingly, within the last few months there was a discussion on L-Prospect about whether TS still inspired writers, which seemed to be a variant of the "new TS writers suck" debate. I don't know that there was any resolution...there didn't even seem to be any discussion, really, as several folks (myself included) who were relatively new to the fandom weighed in with our opinions (for the most part positive), but there was never any comeback or response from the original poster.
Jen
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And they're very dogmatic in their assertions.
I actually think that it's not that "new TS writers suck"--that's observably not the case--but more that new TS writers aren't writing the types of stories that they like.
If I look at the mailing lists I almost feel like TS fandom is moribund or something. Look at LJ and it's quite vital indeed. There seem to be quite a few newbies in the fandom, many of whom are writing and posting fics.
At this point I mainly keep my mailing list subscriptions because I need to be able to post LMFA updates to the lists.
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For what it's worth, for this year's LMFAs, I made a point to nominate only stories that had been written/posted in the last year or so because I got sick of seeing the same pre-2000 stories coming up every year. I've also made a point to rec recent fics (including yours) in my LJ.
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And thanks for the rec of my story!! I really appreciate that!
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I think janedavitt's point about a lot of the "classics" having been written when the show was still on the air is a good one. Also the early writers in a fandom shape the fanon and shape the expectations of the readers ( ... )
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FB changing what you write - I've never changed a story because I think that it will be more 'popular' if I do something. And I had much encouragement to add a more cheerful coda to 'A Day Must Come' for example. And ditto as to my personal opinions of stories - this is why I'm sometimes gobsmacked/amused by fb because it doesn't equate to how I feel about story's quality.
Schmoop - yeah, I'm just not a schmoopy person, which doesn't mean that I don't have a deep vein of sentimentality in me - but I'm kind of suspicious of it, even as I use it...
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As a reader, I can confirm this, although I look to TS for more than just emotional schmoop (I also have a weakness for good police procedurals, alternate how-they-met AUs, and futurefic).
I got into my first fandom (Buffy the Vampire Slayer) for the snark, then fell for the Spike/Xander pairing (my first slash couple!). Then I discovered the opposites-attract allure of Jim/Blair. I enjoy due South for the fish-out-of-water quirky humor and a different flavor of opposites-attract pairing (Benton Fraser/Ray Kowalski), and Stargate Atlantis gives me more snark, but in men who are closer to my own age (McKay/Sheppard).
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Exactly - but it's sometimes harder to believe in that tolerant ideal as a writer than as a reader. And who is that person in capitals in your list? ;-) Thanks.
Long stories - there does seem to be a tendency to shorter stories - is this because lj encourages shorter term work and 'instant fb' or is it that people are more comfortable with posting shorter stories in their own space rather than an archive? It's an interesting question. I know that it took me a while to build up to writing longer stories, and it still looks a little scary from the beginning of the process.
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Long stories - there does seem to be a tendency to shorter stories - is this because lj encourages shorter term work and 'instant fb' or is it that people are more comfortable with posting shorter stories in their own space rather than an archive? It's an interesting question.I think there are so many answers to "why more short stories than long?" As you said ( ... )
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I don't think LJ is restricting anybody
It's interesting to consider how the mechanics of how LJ works may or may not influence the communities that form in it, but you're quite right that an 'acceptable' story length is definitely a community/individual rather than a forum thing.
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