It is not a good idea to start thinking about how to manipulate time and space just so you can write Simm!Character/Davenport!Character slash. No matter how much you think Sam Tyler would 'deserve' Michael Colefield. (and vice versa
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Hmm. Perhaps Michael slips on a banana peel and vanishes into the past.
Or, I know, that's where the vamps go when they're dusted?!
Oooh, ooh. Hooker!Sam is vamped before he can make Mexico. Now he goes in for honey-traps in a *big* way. Twenty-three years later, the war wtih the humans begins...
*cough*
Simm!Character/Davenport!Character slash. With added vampire!hookerness. It'd be a best seller!!!
This goes doubly when you're also secretly thinking "what's the worst thing I can think of to do to Sam?"
"Secretly" thinking about how to hurt Sam? Really? No, not so much. Well maybe in your own mind, but eh, it's like a blinking billboard to the rest of us, hun. *grins*
Well, I would point out it's a valid technique for getting good, strong plots (it's a Bujold favourite - which is why her protagonist is likely to end up in a bucket one day!). But I don't hurt Sam all that often. That's Fi's job. I just look after him, making sure he doesn't know what's coming!
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Or, I know, that's where the vamps go when they're dusted?!
Oooh, ooh. Hooker!Sam is vamped before he can make Mexico. Now he goes in for honey-traps in a *big* way. Twenty-three years later, the war wtih the humans begins...
*cough*
Simm!Character/Davenport!Character slash. With added vampire!hookerness. It'd be a best seller!!!
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"Secretly" thinking about how to hurt Sam? Really? No, not so much. Well maybe in your own mind, but eh, it's like a blinking billboard to the rest of us, hun. *grins*
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