Second in the series of meta-articles I and some friends
began last month, exploring the psyche, persona and nature of everyone's favourite henchwench, Harley Quinn!
A Cartwheel of Contradictions: Who Is Harley Quinn?
Part Two: The Loneliest Number
Co-Authored by:
lovedatjokerzhinxyitllcometomebenicio127Harley's appeal as a character has an obvious effect on the audience: we want
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I certainly agree that having Harley go solo longterm wouldn't seem to work too well without quite dramatically changing her character, because what would her motivation be for anything much more than watching cartoons and eating cereal? Trying-to-go-straight-Harley gets you Harley's Holiday but not much further, and if she's still on the lam once she's pulled a few heists and got some spending money there's not much driving her to keep robbing banks or whatnot. Her gregarious nature inevitably ends with her hanging out with >insert character here< and helping with a spot of plant-themed chaos, whatever the hell was going on with Countdown, assisting the Batclan or, most perfectly, henchwenching it up with her Puddin'.
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I really love this paragraph, ; )
This was beautifully put. Strikes at the heart of what the ever present trip up to Harley's solo arch was. So much of her characters expression comes through feeding off and into her players. Without any grounding she was like an untapped battery. So to move plot along they just gave her a plot device personality and used it like a remote control. But fans couldn't recognize her and the Harley 2.0 didn't encourage many others onto its band wagon.
But not just any henchgirl. The henchgirl is itself a trope tied to institutionalised sexism and the very fact Harley, with her broad, ( ... )
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Intriguing, also... is this for a new movie? Or what??
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