[It's late afternoon on Beaver Street, and Vietnam is collapsed in the hallway of 1762 in a deep red, shimmering pool of her own blood. There's an obscene path of it smeared and streaked behind her, trailing from the kitchen to the living room up to where she's stopped. Blood stains the carpet and some of the walls; it permeates the tiles of the
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The sentence dies off there, making it painfully obvious that she can't bring herself to say it. One hand lifts to her temple, touching it as though her head hurts, and it does from trying to put all of this together.]
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[He doesn't have anything else to say to her, so he turns to go.]
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Cám ơn nhiều. [And then her eyes are elsewhere because she can't stand to look at him any longer, and she brushes past him before sweeping her coat off of the rack near the door and exiting. The roar of a motorbike can be heard around fifteen seconds later, and then it quickly fades as she tears down the street ( ... )
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[As she leaves, America goes up to his room, where he'll stay until he hears Vietnam leaving the house. And then he'll put this out of his mind, watch cartoons, and by the next time he sees her, he'll be acting like nothing happened.]
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