lomovolga Музей Виктории и Альберта в Лондоне (The Victoria and Albert Museum, сокращенно, V&A) - крупнейший в мире музей декоративно-прикладного искусства и дизайна. Предлагаю полюбоваться его шедеврами ювелирного искусства с III века по XIX век. Наслаждайтесь!
Pendant 1600-1630
Unknown
V&A
Pendant 1580-1600
Unknown
V&A
Pendant ca. 1600-1700
Unknown
V&A
Pendant ca. 1640-1660
Unknown
V&A
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Pendant 17th century
Unknown
V&A
Pendant ca. 1600-1650
Unknown
V&A
Pendant
Unknown
late 17th century
Pendant
Unknown
ca. 1650
Anonymous Franc
Ornament c1650 enamelled gold diamonds
V&A
Pendant
Unknown
late 16th century
Pendant
Unknown
ca. 1600
Pendant
Unknown
1550-1600
Pendant
Unknown
1580-1650
Anonymous England
Pendant
Pendant cross of enamelled gold, set with a table cut diamond and rubies, hung with a pearl
1610-20
V&A
Anonymous
Bow c1630-60 enamelled gold rubies pearl
V&A
Pendant
Unknown
late 17th century
Anonymous France Paris
Brooch 1855
This pendant-brooch bears the mark of an unknown maker who was presumably an outworker employed by the Froment-Meurice firm. Shown by François-Désiré Froment-Meurice's widow at the Paris Universal Exhibition, 1855, from where it was purchased by the Museum.
V&A
Schlichtegroll Vienna
Brooch c1855 Renaissance revival silver gilt garnets emeral pastes imitation pearls paint imitating enamel
V&A
Pendant
Unknown
3rd century
Pendant
Unknown
ca. 1560
Pendant
Unknown
1540-1560
England
The Danny Jewel
Pendant ca. 1550
Renaissance pendants were sometimes made as amulets as a protection against danger. At that time people believed that the horn of the dolphin-like narwhal came from unicorns. They valued it highly as a detector of poison in food and drink. This pendant formerly belonged to the Campion family of Danny in Sussex.
Pendant
Unknown
mid 16th century
Pendant
Unknown
1625-1650
Spain (made)
Pendant
ca. 1680-1700 (made)
Pendant
Unknown
late 17th century
Prague ca. 1610-1620
Brooch
Rings and other types of jewels were popular as tokens of love in the 1600s. This design of a heart pierced by arrows refers to Cupid and was widely used from the Renaissance.
Pendant
Unknown
ca. 1610
Pendant
Unknown
ca. 1660
Pendant
Unknown
about 1630-1670
Pendant
Unknown
ca. 1650
Anonymous Italy Earring c1660
enamel on gold rubies
V&A
Pendant
Unknown
ca. 1650
The Wild jewel
unknown
1590s
Pendant
Unknown
ca. 1400
Pendant
Unknown
1550-1600
Germany (made)
Pendant
ca. 1600-1620 (made)
Gold pendant, decoratied with champlevé enamel and set with table- and faceted point-cut diamonds
Victoria & Albert Museum, London
Pendant
Unknown
late 17th century
Pendant
Unknown
ca. 1700
Anonymous-Spain
Pendant-c1750-gold-openwork-set-with-emeralds
V&A
Anonymous-Spain
Bodice-Ornament-c1700-1715-table-cut-emeralds-and diamonds-set-in-gold-openwork-with-enamels-mounted-on-springs
V&A
Anonymou Jane-Morris
Brooch
1820-1830
Gold filigree brooch set with a large citrine and small emeralds and rubies. West European, 1820-30. Formerly the property of Janey Morris.V&A
Anonymous-Spain
Earrings late 17c gold openwork set with diamonds
V&A
Anonymous-Netherland
Earrings c1650 75 diamonds in silver topazes in gold
V&A
Pendant
ca.1610-20
Pendant
Unknown
ca. 1640-1680
France (made)
Virgin and Child, St John the Evangelist, St John the Baptist, and St Catherine
Pendant
ca. 1400-1410 (made)
Pendant
Unknown
1550-1599
The Drake Jewel 1580-1590
Hilliard, Nicholas
The cameo is set into the front while the reverse opens to reveal a miniature of Elizabeth I (reigned 1558-1603) with the inscription, which misleadingly now reads 'Ano Dm 1575 Regni 20',
Pendant
Unknown
1650-1700
Pendant
Unknown
ca. 1600
Pendant
Unknown
ca. 1600-1620
Pendant
Unknown
ca. 1600
Pendant
ca. 1620 (made)
Unknown Spain (made)
Rock crystal mounted in enamelled gold, decorated with pearls, and set with enamelled bas reliefs of the Crucifixion and the Virgin of the Immaculate Conception in an aureola; both under crystal.
Pendant early 17th century
Unknown
V&A
Pendant 1600-1699
unknown
V&A
Pendant
Unknown
early 17th century
V&A
Pendant
ca. 1650 (made)
Unknown France
Enamelled gold pendant with a relief of angels adoring a monstrance (a sacred vessel in which the consecrated host is displayed) set under glass.
collections.vam.ac.uk Серия сообщений "
Коллекции музеев мира \3\ ":
Часть 1 -
Музей Изабеллы Стюарт Гарднер, Бостон, США (Isabella Stewart Gardner Museum, Boston, USA) - Старые Мастера портрета \1\Часть 2 -
Музей Изабеллы Стюарт Гарднер, Бостон, США (Isabella Stewart Gardner Museum, Boston, USA) - Старые Мастера портрета \2\...
Часть 6 -
"Барочный жемчуг" в собрании Рейксмузеум (Rijksmuseum, Amsterdam (+ Renaissance & Baroque Jewellery) \2\Часть 7 -
"Барочный жемчуг" в искусстве ювелиров Ренессанса (more Victoria & Albert Museum Jewellery, London) \4\Часть 8 - Ювелирные украшения в собрании лондонского музея Виктории и Альберта (Victoria and Albert Museum, London) \1\
Часть 9 -
Ювелирные украшения в собрании лондонского музея Виктории и Альберта (Victoria and Albert Museum) \2\ Оригинал записи и комментарии на
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