I'm not sure if it qualifies, but possibly The Ring of the Nibelung (aka The Ring Cycle)? There's epic amounts of conflict, with the fate of the entire world at stake.
I thought about that, but have no idea how to narrow down a three-day production to what I need. I may ask the husband though, he's more familiar with the cycle.
Apparently, Durham Operatic Ensemble put on a performance called ‘War and Peace’ A Portrait of Conflict in Opera, less than two weeks ago. I can not find a detailed programme online, but found this review: http://www.palatinate.org.uk/?p=51802
Some of the ticket sites indicate more information can be gained by e-mailing h.a.brunskill@durham.ac.uk
The Durham Opera Ensemble's website is http://www.durhamoperaensemble.co.uk/ - it ahs a contact section with an e-mail form, which might be more able to get you in touch with someone who can say which pieces they put on.
Consider "Su! del Nilo al sacro lido" from Aida, a very jingoistic war anthem for male chorus with SATBB soloists. If you don't mind having small numbers of people on chorus parts, it could work. However, if you want to avoid anything with a chorus entirely, it would help to know the composition of your group - not just "all vocal ranges," but how many S, A, T, B.
(Will all the sections ideally be from the same opera?)
I have one soprano, two mezzos (one closer to alto, one closer to soprano), one contralto, one tenor, two baritones with slightly different ranges, and one bass. I miscounted, my ninth person doesn't like to sing - if he did he'd be a second tenor, or baritone with a high range.
The sections don't have to be from the same opera. I'll take whatever I can get :)
Ah, yeah, the Aida piece wouldn't work then, not enough men even if you're able to reduce the chorus. You could look into Giulio Cesare, although I don't know any pieces from it offhand.
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I did find summaries of 50 famous operas, for what it's worth.
Most operas seem to center around very personal conflicts and relationship dramas, don't they? *headscratch*
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opera battle -kathleen
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opera "theme of war"
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Some of the ticket sites indicate more information can be gained by e-mailing h.a.brunskill@durham.ac.uk
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(Will all the sections ideally be from the same opera?)
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The sections don't have to be from the same opera. I'll take whatever I can get :)
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