Setting -- London, present day.
The protagonist is a woman who is a programmer -- or something in IT that allows her at least some of the relevant knowledge. She -- you know how it is -- finds herself saddled with a demon.
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This is spoilery for a story that's going to be published by Solaris, so I'm cutting... )
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I think I'm making her a would-be programmer who's out of work at the beginning of the story, and doing something like your friend by the end of it.
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If you have any time for this now, could you give an example of the language she might have trained in, versus the language she might need to know now?
Do you think she might end up scavenging code from more than one source (1 just seems a little simple, I guess) -- is it possible to cobble it together? And is this compatible with your fantastic idea of programming in more than 3 dimensions? This was particularly cool because it gave me an answer to a question that had been nagging me -- why the demon likes her so much, more than the witch who sent it to her in the first place (and wants it back). Of course -- it likes her because it likes her coding! It sees it as a kind of really cool creative witchcraft, and her as something of a kindred spirit. So I now want her to be doing something along these lines, (with ( ... )
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The IOCCC page has examples of past winners as well, which would give you an idea about what C code looks like, at least.
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I'm now thinking that she's a programmer who, per JaneWilliams20's suggestions, is out of work because she has minimal professional experience in the current language of the mode, having trained in something else. If you still have any time, do you have any ideas what the languages in question might be?
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Just asked my programmer boyfriend: Cobol, Fortran, Algol, BASIC.
It's also possible for someone to be out of work because they know a base language but not the popular current version. HR may not understand that a good C programmer can learn C# very quickly...
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