And off we go on this one. Once again, I think I should define the term in the title of the rant as I’m using it: reader empathy, here, is the ability to tie the readers to your characters and make them feel for those characters. That isn’t the same as sympathy, which involves an element of wanting the characters to succeed. That’s because reader
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That made me think of Stephen Donaldson's Mordant's Need duology. There are a couple of soldiers in The Mirror of Her Dreams and A Man Rides Through named Ribaud and Argus. They're stubborn, foul-mouthed veterans who make a lot of sexual and suspicious comments about the heroine, Terisa, which make her uncomfortable. After a while, I started wondering when the two of them were going to attack Terisa. And Terisa herself isn't sure how far she can trust them, or if she can trust them at all ( ... )
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Or, in Final Fantasy 7, you're trailing a villian. You only see glimpses of him, not actually meeting him until half-way through the game. You've been told he's super-powerful, blah blah. But what REALLY drove that point home, is that after you barely escape a gigantic and extremely powerful monster ... you find another one, impaled on a tree. Seeing that monster skewered on a tree like a sishkebab scared the ever-lovin' shit outta me.
Showing is MUCH better than telling.
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It helped that it took me like four tries to get through there, too.
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You mean it took you 4 tries to get through the swamp? Seriously? It only took me once ...
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And, er, unaware of how the plot sometimes herds you to chocobo farms...
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I'm curious, are you referring to Jonathan Strange and Mr. Norrell? Because I love that book.
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It was historically based. She did not wangst, but instead, worked within the system. I'd think it was most likely based on a book, and I'd probably love to find that as well.
-Dira-
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