For the second of the Witch's costumes in our production of Into the Woods at
Playmakers Repertory Company, designer Bill Brewer had a truly fantastic vision for a sort of wizardy robe made of ornately-dyed and embossed velvet.
Draper
Denise Chukhina came up with the process for how this fabric would be created, from which she would then make the
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When doing the multi-color dying like that, is it allowed to dry in place prior to the steaming? If not, how do you prevent muddying of the colors?
Embossing with the wood blocks: I have some vintage Turkish woodblocks that I've wanted to try using for embossing velvet. What kind of temperature was used to ensure a good embossing without scorching?
Thanks!
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1. We did not let the dye dry. We let it set for at least an hour, sometimes longer. We wanted the colors to mix and blend in this case, but we steamed it on a wire rack in the large dye vat to control what blended with what. So we didn't have like, orange and blue turning into brown, but we did get red and blue purpling in places.
2. We set the iron at a middle-temp setting (it has a dial with 1-5, we set it at 3). Pressing from the reverse side with the pile against the wood block, blast of steam, and it's good. You don't have to leave the iron on the fabric long enough to scorch.
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