Just two nights ago I had a fairly pleasant evening at the
Langton Labs. Lunging into social situations like that is something I should do more often, on balance. I found out about the get-together via
circuit_four, who's a friend of
raxvulpine and her pal
eredien, who are in turn acquainted with
baxil. So there was a basis for acquaintance, but precious little. I had a pretty
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Although some of them can't even do that much.
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I'd appreciate it if you'd email me a subject guide - my LJ username is also my Gmail username.
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However, I think you've grasped the essential point of the post, which is that it's a big sloppy love letter to the humanities.
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And while I'm at it, another quote in lieu of a criticism I can't quite articulate: "It is a ridiculous demand which England and America make, that you shall speak so that they can understand you. Neither men nor toadstools grow so." If your words are to change humanity, to whom should you write?
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About changing humanity: I'm going to basically paraphrase Noam Chomsky here (and continue to do a Chomsky pastiche through the rest of the comment, it works best if you try to read it out loud in his voice). I'm probably going to end up speaking to Americans, because I'm an American and that's who it's easiest for me to speak to, and because America is the modern Rome, it has a very influential and not entirely healthy effect on the rest of the world. Despite a lot of pessimism (mine and others') about the influence of America's citizenry and non-elites on the actions of America as a military and economic actor on the world stage, average Americans can and do have some influence on their government without having to shoot or bribe anyone. So I think that Americans are a good target audience for ideas with which to change the world ( ... )
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For what you did say in that direction: the idea of speaking to Americans is one with immediate objections. How can you speak to everybody? Even if you do nothing, or attempt a universal style and audience, social and political factors will pare your audience down and make it, at most, partly representative of Americans. And if you do withhold choice over your audience, is that a tacit agreement to the (usually purposeful, sometimes even conscious) influences which, by determining who reads what, thus control the effects of what is written? There are patterns in the intellectual sphere to who is adopted, who ignored, and who held up for ridicule.
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Speak to everybody: Can't, really, which is why one produces a corpus instead of a single work. It's a limitation that you have to live with as a communicator. Many techniques for dealing with it have been developed over time.
Withhold choice: I'm not sure what you mean by that phrase - who's withholding what from whom?
Patterns in the intellectual sphere: I have a passing familiarity of media filters, yes. It's on the list of "these are challenging things that have to be wrestled with." It's not as though one can get anything done by pretending that those factors don't exist.
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