First, Zombieland -- absolutely as fun as the trailers look. Great comic timing, invention, AND restraint -- not something you'd expect to be able to say about a zombie* apocalypse roadtrip action comedy starring Woody Harrelson, but the creators seem to know when they need to hold back and when they can go for it, and make very few missteps.
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Also, which The Thief of Bagdad are you recommending? Is it the Conrad Veidt one or the Douglas Fairbanks one? Or perhaps another version? And was it Fritz Lang's Harakiri you watched?! If so, I am very jealous.
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The Conrad Veidt one (haven't seen the Douglas Fairbanks version yet). And Masaki Kobayashi's Harakiri (Seppuku). I haven't heard much about the Fritz Lang one -- is it supposed to be good? (Kobayashi's reminds me of Rashomon -- there's just one narrative, but the bulk of the story is told via flashback. Tugs at the heartstrings a little more than Rashomon, though.)
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I don't know too much about Lang's Harakiri, but I think it's just one of those films you watch to see how a director improved over the years.
I still haven't watched Rashomon. I FAIL AS A FILM STUDENT!
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I'm not sure where you'd download scans, but pretty much the entire run is at OneManga here if you don't mind reading online. (I'm slowly collecting the TPBs -- I can't wait to read the whole thing straight through once they're all out. :D)
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You liked Zohan? Really?
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I know, I know, but I have a weakness for Adam Sandler movies (especially his older ones), and I thought Zohan was actually pretty clever at times. (You know, for an Adam Sandler movie.) What I loved was when it came out, a few critics actually wrote that Zohan handled the Israel/Palestine situation with more nuance than Steven Spielberg's Munich. I can't weigh in on that having not seen Munich, and it reeked of grudgy "Take that!", but I was amused. XD
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