Was going to use the title "Trap Hegemony And The Italotrot Question" because I knew it would make Chuck Eddy smile; but I decided "Where 'Galaxy,' naturally enough, means 'Italo'"* was funnier, though maybe David Frazer will be the only one to smile. David's the person who came up with the genre title "Italotrot" to describe Hong Jinyoung's "Love
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YEA: Cha Wa: Spyboy (Upt) 8; Tucka: Working With the Feeling (Hit Nation) 7; The Flesh Eaters: I Used To Be Pretty (Yep Roc) 7; Kandace Springs: Indigo (Blue Note) 5; Third Root: Trill Pedagogy - Winter Flex (Third Root EP) 5; Madison Hudson: Silver Lining (Madison Hudson EP) 3; Traveling, Broke, and Out of Gas: Bastard Americana (965532 EP) 3; Reniss: Express, Vol. 2 (New Bell EP) 3; Sassy D: The Queen of Southern Talk Blues (BJ Productions EP) 2; Robot Lords of Tokyo: Rise Robots Rise (Riot EP) 1.
NAY: The Motet: Death or Devotion (Motet) -1; Dbuk: Songs Nine Through Sixteen (Scaunincorporated) -1; Boygenius: Boygenius (Matador EP) -2; Deadwood Drifters: Ashes and Dirt (1112320) -2; Burning Witches: Burning Witches Burning Alive (Nuclear Blast) -2.
PAZZ & JOP PRODUCT REPORT - February 2019YEA: ¿ Que Vola?: ¿ Que Vola? (No Format) 8; Layale Chaker & Sarafand: Inner Rhyme (In A Circle) 8; People Under The Stairs: Sincerely, The P (Piecelock 70) 7; The Specials: Encore (Island) 7; Merle Hazard ( ... )
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YEA: Monsta X: Take.2 We Are Here. (Starship Entertainment) 8; Matthew Shipp Trio: Signature (ESP Disk) 8; Little Simz: Grey Area (Age 101) 7; Ivan Conti: Poison Fruit (Far Out) 7; Mykele Deville: Maintain (No Trend EP) 5; Monsta X: Take.1 Are You There? (Starship Entertainment) 5; Hedvig Mollestad Trio: Smells Funny (Rune Grammofon) 5; Maren Morris: Girl (Columbia Nashville) 2; Durand Jones & the Indications: American Love Call (Dead Oceans) 2; Yola: Walk Through Fire (Easy Eye/Nonesuch) 2.
NAY: Wayne Shorter: Emanon (Blue Note) -1; Emily King: Scenery (Ato) -1; Aida Victoria: Silences (Canvasback/ATL) -1; Solange: When I Get Home (Saint/Columbia) -1; Ariana Grande: Thank U, Next (Republic) -1.
PAZZ & JOP PRODUCT REPORT - April 2019
YEA: Etienne Charles: Carnival - The Sound of a People, Vol. 1 (Culture Shock) 8; Sarah Tandy: Infection in the Sentence (Jazz Re:freshed) 8; The Comet Is Coming: Trust in the Lifeforce of the Deep Mystery (Impluse!) 7; Ibibio Sound Machine: Doko Mien (Merge) 7; ( ... )
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YEA: Suzi Quatro: No Control (Steamhammer) 5; Daughters of Justice: Blood Harmony (Daughters of Justice) 5; Maddie & Tae: One Heart to Another (Mercury EP) 5; Lauren Morrow: Lauren Morrow (958984 EP) 5; Reba McEntire: Stronger Than the Truth (Big Machine ) 5; Lauren Jenkins: No Saint (Big Machine) 3; Carsie Blanton: Buck Up (So Ferocious) 3; Billie Davis: Rosie's Cantina (Market Square) 3; Sarah Ross: Nervous Breakdown (Average Joes) 3; Della Mae: The Butcher Shoppe EP (Rounder EP) 3.
NAY: Abby Anderson: I'm Good (Black River Entertainment EP) -1; Joy Williams: No Place Like You (Sensibility EP) -1; Lucy Rose: No Words Left (Arts & Crafts Productions) -1; Lady Redneck: Duct Tape My Broken Heart (Lady Redneck EP) -1; Billie Eilish: When We All Fall Asleep, Where Do We Go? (Darkroom/Interscope) -2.
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New York:
Cover Girls "Inside Outside"
Judy Torres "Come Into My Arms"
Cynthia "Change On Me"
Lisette Melendez "A Day In My Life (Without You)"Miami ( ... )
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Love Rumpumpum was composedby "Anchor, Park Ki Tae, 백곰 (Bumzu), 백구". I wonder if any of them had a hand in those two Crayon Pop songs.
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I wish the interviewer had been interested in asking how the group's artistry came about.
In the meantime Way seems to be going full guns over the last month on her YouTube channel, averaging a new video every other day. I haven't had a chance to look; perhaps she provides info about where the artistry came from and gives us more detail about life at Chrome Entertainment.
When I get my wits together I'll try to weave some thoughts about Crayon Pop into a discussion with belecrivain and subdee elsewhere on this ( ... )
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BABYMETAL played Glastonbury.
Russian idol LANA debuted to the outrage of international fans who think that white people should not become K-Pop idols.
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