So I'm having a hard time figuring out what it means that
EMI just OK'd non-DRM tracks. (Thanks, by the by, to
bryant for the link.) Overall, I'm not a big fan of digital rights management. It's a losing battle from a technical perspective, and from a commercial perspective, it's fairly clearly an artifact of an old(er) model for selling music. If we
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*faints*
-RC
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