Kink Me! #21

Feb 09, 2011 19:08


Kink Me! #21
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Welcome to Kink Me! Merlin #21!

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anonymous February 18 2011, 01:18:47 UTC
Gwaine/Morgana, modern au with loads of snark and smut.

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Re: Concerto for Two Violins [5b/?] anonymous October 3 2011, 20:01:25 UTC
I love this so much.

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Re: Concerto for Two Violins [5b/?] anonymous October 4 2011, 00:20:49 UTC
Just got caught up on this - the "gossip" in me is loving this story, and all the little sub-stories about the incestuous clique that is the orchestra. :) Percival on Timpani FTW. I'm really enjoying this story, and looking forward to more. You really make the Gwaine/Morgana dynamic work really well.

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Concerto for Two Violins [6a/?] anonymous October 6 2011, 01:59:24 UTC
For the curious, this is the piece the orchestra is working in this section.
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The next orchestra rehearsal is excruciating. They’re working on “La Fileuse,” the second movement of Pelleas and Melisande, which is all quick runs of triplets for the violins and the sound of it resembles nothing so much as mud when it ought to be crisp. Morgana grits her teeth and concentrates on the music, trying to drag her section along behind her by sheer force of will, and ignores how Gwaine plays little slips of the phrasing like jigs in short breaks while Uther yells at one section or another. Half the woodwinds seem to have colds, so Gwen is carrying her section while trying to play a piece that features woodwinds for once when the maestro generally prefers the strings or even the brass. And the cellos ( ... )

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Concerto for Two Violins [6b/?] anonymous October 6 2011, 02:10:23 UTC
It takes Merlin a full five seconds to look up at her. “What do you want, Morgana ( ... )

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Re: Concerto for Two Violins [6b/?] anonymous October 6 2011, 02:15:34 UTC
This story is really lovely. The dynamic between Morgana and Gwaine is funny and hot as all hell, and the backdrop of the ever-growing chasm between Merlin and Arthur is growing into an epic lovestory. I love the bits and pieces of background drama with all the supporting cast. Percival and his timpanies, awwww! Can't wait to see how Merlin's surprisingly good symphony presents to Arthur!

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Concerto for Two Violins [7a/?]//bondage anonymous October 6 2011, 16:04:05 UTC
This was going to be pornier, but then there was banter. I have no regrets.“Merlin has taken over my entire flat with his computer and several metric fucktons of manuscript paper. Why do I feel like you’re behind this ( ... )

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Concerto for Two Violins [7b/?]//bondage anonymous October 6 2011, 16:06:09 UTC
She undresses him, mostly for something to do while she figures out the knots and what she’s going to do with him while she has him at her mercy because of course Gwaine fucking calls her for sex when her brain isn’t engaged yet, then snatches the white silk out of his hands. “You sure about this?” she asks. Neither of them has backed down from a challenge yet, but they still ask ( ... )

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Concerto for Two Violins [7c/?]//bondage anonymous October 6 2011, 16:10:28 UTC
Morgana comes first, using her free hand to reach between them and make it happen because she can see how close Gwaine is, and she rides it out, letting him drive deep as he comes, taking all his weight on his arms for a second while he groans. She puts her face to his chest as they both pant it out.

When they’ve both recovered, Morgana levers herself off him, both of them making faces as he slips out of her and she pulls off the condom and ties it off, tossing it neatly in the wastebasket by the bed. That done, the unties the knots at his wrists and starts moving them around. “So soon?” he asks, waggling his eyebrows. “I was expecting you to want another round.”

“You’ll be no use at practice later with sore shoulders,” says Morgana, prodding him. “Now turn over and I’ll give you a massage, and if you’re very good, I’ll let you tie me up next.”

More soon.

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Re: Concerto for Two Violins [7c/?]//bondage anonymous October 6 2011, 17:30:13 UTC
<3

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Re: Concerto for Two Violins [7c/?]//bondage anonymous October 6 2011, 17:53:40 UTC
<3

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Re: Concerto for Two Violins [7c/?]//bondage brunettepet October 7 2011, 15:38:44 UTC
The sluggish orchestra dragging themselves through practice was vividly drawn and I love how you're writing everyone knowing everyone else's business and how all the infighting is screwing up the music. Morgana jumping in and getting Arthur and Merlin sorted (hopefully) is great and now Gwaine has an excuse for sleepovers!

This exchange had me laughing with glee: “Are you wrangling for an invitation ( ... )

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Concerto for Two Violins [8a/?] anonymous October 8 2011, 05:04:30 UTC
“Morgana! Darling!” Catrina exclaims when Morgana walks into the Camelot office ( ... )

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Concerto for Two Violins [8b/?] anonymous October 8 2011, 05:06:04 UTC
It takes longer, this time. Uther goes through the first few phrases at tempo, then scowls and goes back and does it just a hair slower-she’ll have to tell Merlin she told him so-and works through the whole piece like that before going back to dwell on a few of the especially lovely spots. Morgana keeps as still as she can, and when he looks back up at her, she raises her eyebrows. “We haven’t premiered a symphony since ( ... )

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Re: Concerto for Two Violins [8b/?] anonymous October 8 2011, 13:27:21 UTC
I am utterly sucked into this piece. You were right, this absolutely had to be an orchestra fill. :)

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Concerto for Two Violins [9a/?] anonymous October 10 2011, 03:01:55 UTC
Bach's Concerto for Two Violins, 1st Movement is the piece Gwaine and Morgana play in this section and, incidentally, the one I named the story after.

Morgana slams into Gwaine’s flat three days later, violin case in hand. “Get out your instrument,” she snaps.

Merlin, from the couch, makes a horrified noise when Gwaine leers. “I’m right here.”

“His violin, you horrible perverts. I need to play Bach before I rip someone’s head off. I can’t believe he’s fucking blackmailing me into doing lunch with him. I hope you and Arthur appreciate what I’m sacrificing, Merlin.” Merlin wisely just gives her a wide-eyed look and sinks back down into whatever edits he’s doing today ( ... )

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