This is not exactly a rant, but I figured that you guys, of all people, would have some good ideas.
For Advanced Composition class I'm writing a compare/contrast essay. My topic? Good!fic versus bad!fic.
If necessary, I can write this on my own, but I would love for your input on characteristics of good fics and bad fics. What makes them different
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Lame plot + bad spelling/grammar + OOC + bad characters + crack humor + gratuitous violence/sex/language/etc + cliches = bad fic
Though actually, I go more by gut instinct in practice.
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Bad fic takes the established canon and skims the surface. It goes no deeper than the most basic, shallow parts of the original. Bad fic is poorly paced, it drags when it shouldn't and leaps when the author can't figure out where to go next. Bad fic often offers excuses for illogical decisions on the author's part, and often seems as though it centers heavily around the author, not the story that's being told.
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Yes, and I also like the difference between skimming the surface and diving in deep. This is very very helpful. *evil laugh*
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It's that old argument that you are writing characters who already have defined character traits and personalities. whether the setting is canon or AU or fanon or however you want to go, that is the primary concern. "In Character" is always the biggest argument.
Plenty of fics can be well-written, with a decent plot, proper grammar and good style, but that characterization can ruin something otherwise well-done. I draw your attention to some of the sorts of fics that sometimes crop up here on KHFFR: "This is sound, but WHY IS AXEL CRYING IN A CORNER?!" and so on.
OF COURSE all the other things apply, and if anything is horrifically bad, it of course is a bad fic. If I can't read it, I ain't marking it and so forth.
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(The comment has been removed)
(And I agree with all your points)
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Shakespeare was a master at this. He knew he had to keep the audience's attention at all times and thus made sure his plots and characters would strike something into the viewer. He gave situations with which the audience was familir or could sympathize. Take Macbeth - he was a victim of his own fate and truly regrets this. The audience knows that Macbeth is really a good man, and wishes the best for him. The story must make the reader react and think about their own values in life. Story characters often set an example (heck, KH is a beautiful example about the bonds of friendship and its values).
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