You know what it feels like? It feels as if I'm almost finished running a marathon-the marathon in this case being the three years I spent researching and writing Everything Is an Afterthought, interviewing a hundred or so of Paul Nelson's friends, family, associates, and several of the artists about whose work he wrote (including Bruce Springsteen
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But just let me say, the situation you describe sure beats having the tome released early just because it's filling up the warehouse and there's really no intention of providing any support for the title (since the original publisher has been bought out by a mega-corp).
Not that I've ever experienced anything to the like. Ya' know.
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