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tifaching: a writer's meme.
Put a number in the comments and I’ll answer accordingly. The mission for those of us who answer the questions, should we accept it, is to stay positive about our writing and ourselves, but to also be fair about our shortcomings.1. Of the fic you’ve written, of which are you most proud
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Ummm... your choice of 6 or 7, if you please.
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Maria met a hot guy named Niko who invited her back to his place, then shot her dead. Then she woke up in a morgue with Niko smirking over her.
Maria spent a few months being trained by him, balanced right on the edge between numb and panicked. The night Niko finally decided to fuck her, and wouldn't take no for an answer, is the night she decided to shoot him right back, see if he liked it, and cut his head off with his own goddamned sword.
Ever since then she's been crashing at shelters or on the streets, working under the table since she was apparently dead long enough to lose her social security number, trying to save up enough cash to get the hell out of New York. Any time she feels another Immortal on her radar, she rabbits. But she just can't shake the feeling that she's being watched...
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I'm a bit weak when it comes to descriptions. There's a gift to giving just the right detail, and knowing when that's needed, and when it's not, that I haven't mastered yet.
I have trouble writing good, realistic female characters. I've worked on it, so I'm very proud when I manage one, like Maddy in Runaways, but it's still like pulling blood from a stone ( ... )
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I've always had a fondness for brilliant freaks; people who think, perceive, and respond in atypical ways. That said, getting myself into those characters' head space is easy, but translating it for the reader is a PITA. And, frankly, that's exhausting in exactly the same way as what I end up having to do all the time, anyway, to try and explain myself to important people in my life. So I find myself not wanting to deal with that particular challenge.
Oh, and I hate writing Moriarty. I don't like having his voice in my head. Not one bit. *shudders*
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10 please.
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I think I'm good at building and maintaining tension. Dissonance is a great example in the Highlander fandom, or A Study in John in the Sherlock fandom.
I can tell big stories in very few words. I had Sam end the world and then save it in under 8,000 words in Dare Frame Thy Fearful Symmetry. Wrote a whole dark Fraser story in 300 words in Outside the Tent. And made people cry in 279 words of Inescapable Realities.
I tend to see situations and characters from a different angle that people generally do, and help readers see it with me. I showed a dark, intense Ray Kowalski in Con Job, convinced readers that Fraser would actually be a ( ... )
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