When Riza found him, he was sitting on a rough chunk of concrete in almost complete darkness, knees drawn up, huddling over the bloody, shaking hands curled in his lap. Only the radiance from a single ceiling fixture, dangling lopsidedly halfway down the ruined tunnel, outlined his profile and provided enough light for her to pick her way toward
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Also, is the title and allusion to Orpheus? Or am I making stuff up again? ;)
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I knew the title would be extremely subtle even to those familiar with the myth, and incomprehensible to those who don't know it. But as I was writing the very last scene, and suddenly realized the parallel, I couldn't help but make that the title.
Because Riza really is drawing Roy back from a death in the underworld, here.
So you got it perfectly. :-)
And thanks for the nice comment!
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