Appropriately I spent part of my grandfather Allan's 158th birthday in the theatre - indeed, the theatre, the Royal Exchange.
Three years ago I posted about how the Royal Exchange Theatre was built in the building where Allan worked, originally as a yarn agent, later as the Manchester Guardian's correspondent on the cotton trade, and which he
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I thought it was a very good straightforward performance - ideal for a fresh audience - and Don Warrington was a fine Lear, but it didn't give me as many new thoughts about the play as the National Theatre's production with Simon Russell Beale which I saw in a live broadcast two years ago. The reason why I went a second time was because the friends who were with me the first time were much more excited by it, and one of them, a university tutor in English, is still saying how pleased she is that she saw it (and thought it very much better than the RSC Lear with McKellen in 2007). So I wanted to see whether I could find that extra excitement on a second visit. And I enjoyed it, but on the same level as before. Maybe I'm just missing something.
But it seems you should be able to get a chance to judge for yourself: they're planning to ( ... )
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I hope you will like S. Waters!
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And I did enjoy Sarah Waters'/Hattie Naylor's The Night Watch - it was an odd play, very stripped back (I haven't read the book but have seen a television version), but the lead (Jodie McNee) was fantastic (and looked very good in men's clothes!)
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And I am really glad that there is a happy ending, yes!
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