I've tried several times to write a Gone With the Wind review, to no avail. Thus it is that I find myself once more backlogged on book reviews and dreading writing them more and more the longer I put the task off. And, then, of course, there's the fact that my memory has all the fine-tuned retention of cheese cloth, and the longer I put off writing
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And Rhett comes back, if only because he misses the fights. But he comes back. And those two fight and make up and rock until old age. So there.
(the only aspect that makes me wince is that Scarlett is so horrible to her own children, but Melanie did good there--and they do have a community.)
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Anyway, my point being that Scarlett's kids made me think of that rather verbose tidbit of wisdom.
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I kind of wondered about that, too, and I think I've settled on Scarlett just being unreachable because of her preoccupation with Ashley. I think the night that Rhett gets drunk and hauls her up the staircase is the first time that he makes her focus all her immediate attention on him. He freely admits before then that he knows she pretends he's Ashley when they're making love, and that he finds this obscurely funny (though it probably drives him crazy in truth). I think that was the first time she let herself enjoy sex with Rhett and that's what made the difference. Or something.
Scarlett is definitely a wench of the first water. But you can't help but give her props for being so resourceful and ruthless.
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And yes, Scarlett was a twerp to steal Frank from her sister--but I see that Mammy declared her intention to "help you pleasure Mister Frank in every way I know how." And Scarlett sees in Mammy "a realist even more uncompromising than herself." Interesting mix there, how Mammy will fuss about what she perceives as improprieties in Scarlett but when there's a real problem she swings right into action. "The rights of Suellen and Frank Kennedy did not occur to her, save to cause a grim inward chuckle," etc.
MA
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Another of my favorite things about Mammy is how she shamelessly works the system. For instance, she knows that her white folks cannot admit to listening to her when she's just grumbling to herself, so she's grumbles to herself very loudly, knowing that they have no way of not hearing her. She gets to have her say without ever actually stepping out of bounds! Love it!!
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Also, Rhett comes back to Scarlett eventually. He goes away, is miserable, realizes that he can't live without her and comes back. This is not open for negotiation.
I so agree. ^_^ But abinimbus refused to enjoy the book simply because that did not officially happen at the end. I keep on telling her that Noooo, GWTW is awesome because the characters are so real and vivid and they do exactly what they will do, and you can see that the story naturally keeps going after the book ends! Yet she persists in saying she doesn't like realistic endings in books. Tsk, tsk.
Me, I just loved the whole thing. It will be one of those bi-yearly re-reads, I think. ^_^
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I quite relished that scene with Scarlett and Old Miss, but had quite forgotten it until you mentioned it! I remember thinking that finally Scarlett would connect with someone because here was another woman who had suffered just as much as she had, but she once again surprised me with how insensitive she could be. The contrast between Old Miss's heart-wrenching tale and Scarlett's "fiddle-dee-dee" response was delicious.
And props to your wife for getting you to read a "romance"! I begin to think that she is a kindred spirit: she made you read GWTW and also suggested penguin!Rhadamanthus, who was my favorite part of The Golden Age. (The which I will be reviewing sometime in the not-too-distant future, I hope...just finished it a week or two ago.)
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