For the past ten months or so, I've been meaning to do a post about cultural apprehension of music as it pertains to various genres of electronic composition, and in particular about the vastly cerebral vistas of the Detroit and Chicago scenes and how very influential they were in shaping what we think of as techno, house, industrial, etc. (Not a
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I mean, David, who is supposed to be one of the cleverest, most ideal heroes in the Bible, gets turned into this I-wish-I-was-back-on-the-farm COWARD whose MO is to occasionally lose his shit and do something stupid which works out Just Because.
I think the second ep was the last one I'll see, because David stealing the cab and driving it into the Gath military procession(wtf) somehow ending up with a peace treaty was a little too much for me.
(I'll keep an eye on the wiki to see if there's more of the old King Abaddon, though, because Brian Cox always delights me)
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YES, THIS. THAT'S supposed to illustrate to us what a brilliant strategist David is? Causing a diplomatic incident with some sloppy driving?
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*faints*
Jeff Mills. THE. PURPOSE. MAKER.
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Of course, Detroit was only a scant few miles away, and I'm sure that made all the difference.
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I'm not saying there's a direct line from HSB to Kings but I could probably get a term paper out of asserting that if I was so inclined.
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hulu.com. I recommend it if you have time. It's quite a blast from the past, and some intelligent commentary on the 80s to boot.
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Kings...you've been getting flack since you started. And I haven't had time to watch any of the other 2 eps. The 1st one felt like it was missing something. Should I even attempt to watch the rest?
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