So my friend
calloocallay recently mentioned something about a musical Bechdel test, about finding songs about a third person woman whom the singer didn't either want to sleep with or do away with (I presume as a romantic rival?). So of course I had to try and see if it held up through an entirely unscientific survey of my iTunes
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There's also Stevie Wonder's Isn't She Lovely, which is about a female's beauty, but not in the romantic sense. Does that count?
Now I'm going through my playlist to find some, lol. Aerosmith's Janie's Got A Gun?
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The Beatles seem to pop up a lot, which I guess must reflect something about the period they were writing in, in that there seem to have been a few bands doing these well-observed 'slice of life' type songs in the Sixties.
For that reason I'd hazard a guess the Kinks would probably get a couple of songs in there too, 'Dedicated Follower of Fashion', in the guys' section maybe? It's borderline because I've always felt the man they're singing about is sort of sexualised.
In 'Let it Be' I always just assumed Paul was singing about the Virgin Mary :(
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Lowell feels that relatives shouldn't count which would leave out a lot of this list but Emily followed up and said that second person songs should count, so that changes things somewhat. But then we're back to the idea that most popular songs are about intimate relationships, and even when they are about a character the songwriter tends to write about the character in the first person, rather than observed third person.
But yeah, these story songs, they seem to have gone right out.
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Lowell thinks that familial relationships shouldn't count which would knock out a lot of the list as well. But yeah, not finding a ton of second or third person nonsexualized men in the songs in my own iTunes.
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A few more Neil Finn songs In Third Person About Ladies - Hello, Sandy Allen, who isn't even a relative; Hole in the River, and I think also Catherine Wheels might count if you read the "whose needs do I serve" as the singer quoting the "she" who the song is about. Sandy Allen is only third-person in parts, but only the first verse really references the singer.
From Squeeze, Annie Get Your Gun is third person, and Pulling Mussels from a Shell is third person about a bunch of people, except for the "I feel like William Tell" bit. The first two thirds of Aztec Camera's Good Morning Britain is also third person about a bunch of people.
Everything But the Girl's Sugar Finney is about Marilyn Monroe, fwiw. And I know I have more but nothing is coming to mind and I have to run and get Middle Child. But it's something that's going to be on my mind as I listen to things for the immediate future!
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But if it was to say that men in songs are presented as non-sexual objects and women as sexual objects, that doesn't play out in the songs that I have. Everyone is a romantic partner, for the most part, because that's what most popular songs are about. This might be different in non-pop/soul/standards/rock songs, though.
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