Sometimes I get a little wistful, even woeful, when it seems like the big new thing isn't really my thing. And oddly, on the other side of that, I'm very shy to be like, "I like this thing that isn't the big thing" for a variety of reasons that at the end of the day aren't that interesting.* So instead, and as a sort of answer to a conversation
ziggy1278
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But still I remember when people would post about being annoyed at people constantly posting about their new thing they didn't care aobut and it was just like...well, it's Sophia Petrillo's line to the rescue again: I'm sitting here, drinking a cup of tea, talking. You're looking at me like you paid sixty dollars to see Phantom of the Opera."
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I always dislike those "I wish everyone would stop talking about X" posts, because they're just petulant! But the people I still know who make those distant-but-entertaining posts always make me uncomfortable. Even though I'm their friend, I feel that I've been put in the position of a fan, so I tend to not comment and often not read. On facebook, I don't friend people's professional facebooks, only their personal ones, for the same reason.
Nice use of Golden Girls!
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On LJ I love other people's stories, either because they're like my story or because they're not anything like my story. I don't really do fandom at all but it makes me happy to see people get so wrapped up in their thing, whatever it is.
The witty facade thing...not something I'm all that interested in.
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Witty facades are very popular! But I find them very distancing.
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But, as for things I love, just off the top of my head, have you ever read any of Rex Stout's Nero Wolfe mysteries? I think you would like - the mysteries are clever and challenging but rarely impossible (I don't usually figure out what happened until the big reveal, but I can always follow the reasoning in the reveal and go back and see 'yes, it was totally all there! bravo!'), the characters are well written and engaging (Archie Goodwin is totally one of my fictional boyfriends), and it's all set in 1930s New York City with the clothes and the places and the dialog. They're brilliant
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