Agree wholeheartedly, Chad! I think this is the best historicals ever in Doctor Who. It truly is a work of genius. It has everything: tense character drama, well thought out plot, perfect 'ensemble cast' writing, educational opportunities, humour, and gripping character development. The scenes in which Barbara sticks to her convictions in spite of the Doctor's protestations and warnings are marvelous. Likewise, the scene in which she intentionally gives herself away to Tlotoxl and challenges him head-on is excellent stuff. In contrast, the quiet little scene at the end that shows Barbara humbled a bit, having learned that what the Doctor was saying all along was true, is gorgeous. Its Barbara gaining a new understanding of the Doctor and his life and the dangers of TARDIS travel
( ... )
You flatter me, sir. Better than yours? Never! I won't hear of it. Your reviews are always so articulate, well-thought out and arranged, and engaging. Better than yours? I don't think its possible!
Indeed. It just goes to show that if you have the best writer, the best actors and designers, and a decent crew, then the restrictions of tiny budget and tinier studio matter not a jot.
Whether this is "theatre on TV" or not, it's storytelling of the very highest calibre, and will remain a classic for all time. It's that good.
Like you with "The Romans" (and indeed me with nearly all the historicals :)), I never tire of watching this. It gets better and better, and was already a delight to begin with.
Comments 8
Reply
Reply
Reply
Reply
Reply
Reply
Whether this is "theatre on TV" or not, it's storytelling of the very highest calibre, and will remain a classic for all time. It's that good.
Like you with "The Romans" (and indeed me with nearly all the historicals :)), I never tire of watching this. It gets better and better, and was already a delight to begin with.
Reply
Leave a comment