It's funny, but my SPARTACUS office AU, which I wrote pretty deliberately as badfic, reminds me just how much I really dislike fanfic AUs. Part of this is because it turned out worse than I intended, looking at it, but part of it has to do with the nature of fanfic AUs in general
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Also, I downloaded Spartacus. I don't even judge myself at this point. I read Colleen McCullough with a distinct lack of irony and have read her Rome series since I was like, twelve.
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I think a lot of this stuff comes about the longer a fandom goes on, and fans search for novelty. People write the same stories over and over and over (hey look another Tim/Kon story!), but at a certain point they try new things, like everybody working in a coffeeshop.
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On something of a dare (much like your Sparticus AU, I imagine) I once wrote a Harry Potter Marauders-era AU in which the Marauders were a mid-70s punk band in England.
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You seem, for one thing, to be drawn to - I don't know how to put it. Interlocking canons? Canons where the people are who they are because of the (interesting) world they're in. That is exactly what makes a fandom bad for AUs.
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What are the elements that make a fandom great for AUs? And what are fandoms that are great for AUs? I would think, for example, that shows like STARGATE wouldn't invite them (why would you *want* to hear about those folks being baristas, rather than universe-hoppers?) but apparently they did...
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Fandoms that make for great AUs are fandoms where the characters appear in front of backdrops rather than integrated in complex, believable worlds, where who they are is relatively irrelevant to where they are. Ideally, you should be able to describe them as archetypes or using just a few key phrases - the Sarcastic Reluctant Hero with Issues, or the Mouthy Genius Scientist.
So. Oz makes for terrible AUs - who are these people if they aren't in prison? Not the people we know; almost the only way you can get them into the roles they have now and the relationships they have with each other is by locking them in a hole together. And then, even worse, the characters change over time - so now, if you write an AU, you have to do a snapshot, or you have to find some miraculous way for the characters to develop in your AU the same way they did in canon (which, wow, good luck, because like I said, prison is key to who they've become), or you have to say fuck it and have ( ... )
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Imagine how you would write a story about a small group of people who travel to a distant, populated galaxy to explore a dangerous and mysterious artifact. Would it look anything like SGA? Not unless you were totally phoning it in. That crappiness makes for fantastic (and extensive) fan fiction, leagues better than the show, and it also makes for great AUs.
Okay, so my comment about sucky stuff making for more AUs wasn't too far off the mark? It's odd, considering that the show I'm the most fannishly active about is a show that is mostly crap, but your comments about my brand of fandom are really interesting. You're right; I tend to really go for characters tied into their setting and dynamic, and am not that interested by source materials that don't have a strong, all-pervading, intrinsic sense of place and purpose.
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