I've been watching The Wire from the beginning over the past couple of weeks. I have fallen for it, hard. I may write up thoughts at some point, but thus far I've been so caught up in the show I haven't wanted to pause to reflect; I just want to keep going. I will say that this show has proved that my narrative kinks for ensemble cast, ambiguous
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I find what you said about what the others represent really interesting. I wonder if Avon represents some form hubristic (is that a word?) love. The Wire shows him serving as some of criminal and community father figure in many ways, but somehow he seems not quite levelheaded enough for it all. He's like a big brother who's taken on the role of the father, and it's not quite working out.
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I really, really can't wait til you watch S4 and hopefully talk about it! Somehow it gets even better *mind boggles at the awesomeness*
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That scene remains one of my favorites of the whole show, and while it's stunning no matter where you come at it, I think it's hard to fully appreciate it until you've seen everything that comes before it so you get the full sense of what's between them. Stringer absolutely destroyed me in Season 3, because of all of the potential he had to be great outside of the drug world, except for the utter lack of opportunity to try. And watching him interact with the more "acceptable" but still shady contracting world was painful; seeing someone powerful (but that I respect), brought low is always difficult for me.
One of the things I also love about Stringer's storyline is the way they parallel at least his death with Bunny Colvin's firing, including both getting cut off exactly the same sentence before their respective "deaths" - Stringer's physical, of course, and Colvin's career.
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Absolutely. This is one of the reasons I'm so looking forward to rewatching the show -- revisiting the first season with the knowledge that this is where it's all going... god, it's just heartbreaking.
Stringer absolutely destroyed me in Season 3, because of all of the potential he had to be great outside of the drug world, except for the utter lack of opportunity to try.
Yes, that's it exactly. That scene in 3x12 where they go to Stringer's beautiful apartment, all art and classy furniture, and Jimmy takes down The Wealth of Nations from its place of honor behind the desk and says something like "Who the hell have we been dealing with?" -- that just broke my heart. All that ambition, all that intelligence, even all that money... there's so much commentary there on race and class in America.
...the way they parallel at least his death with ( ... )
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