I did a lot of journalling while in Philly for last week's conference/job interview gig; the whole event just seemed so wildly improbable that I had to keep writing things down to convince myself they were really happening. This post is my first attempt to process and synthesize some of that stuff.
Warning: this got pretty long.
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I thought briefly of proposing Clarissa/Anna for yuletide, just because the idea amuses me so; but of course I don't actually want to participate in yuletide, so it couldn't happen.
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2. Those who come after you will love you forever if you do a "learn from my mistakes" manual.
3. You want to, and are brilliantly prepared to, teach undergraduate students about literature and writing and sex/gender/sexual-orientation politics and why all of these things matter. In the midst of all the other things you haven't done or should have done or whatever, keep ahold of that. Because I've known you long enough to know that that's the thing that grounds you. Even if you publish in PMLA and go to prestigious conferences and all the rest of it, you will never care as much about that three-ring circus as you do about your students. And I think that's a good thing.
4. Again, any way I can help, blah blah friendship-cakes.
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Absolutely true, in the local sense. But some conversations at MLA, along with some online investigation of my own, have yielded up the information that many if not most of the top-ranked English programs (and, interestingly, quite a number of the *third*-tier programs) do provide much more coherent and systematic instruction about professional (as distinct from intellectual) preparation.
Which, as you say, just reinforces the not-sucking on my part; but is tremendously annoying.
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When I was in college, majoring in Fine Arts, I used to joke around that nobody up there was teaching me how to prostitute myself and my art. Hell! I already knew how to draw and paint before I even went to college. I needed to know how to make a living at it. I'm still curious about that, and only now have I realized how deadly serious that joke really was.
/soapbox whine-rant from the chronically underemployed
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I just wrote my big anti-theatre grad school rant and decided not to post it. I think I will just leave it with the Amen.
Amen.
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Exactly.
One of my professors has been talking about maybe implementing exactly the sort of professional training I think my department needs; I'm hoping to sit down with him soon and talk through some of the things I think such a training course would cover: how does one get grant and fellowship money? how does one write an academic article, a book proposal, a conference proposal, a book review? how does one find out which journals need which books reviewed? what *are* the major journals and conferences in the field? and so on.
It's not that the information's not out there; it's just that the program is not currently set up to deliver that information in a uniform, systematic, structured way. And that seems absurd to me, for exactly the reasons you outline.
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Bitter? Moi? (Thanks again to sisabet for that magnet. It's so ME.)
So, if anyone has any ideas about how to creatively utilize a BFA in Printmaking, coupled with 20+ years in design/mechanical engineering, coupled with an MBA, y'all let me know. :)
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I know how frustrating it can be to look back and see clearly what you *haven't* done (I do it every year at this time) that you should have. Try not to let that get you down.
Excelsior!
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Still rooting for you over here.
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