Just found out, while totally virtuously working on my essay (well, for about five minutes at least...) that one of Renee Vivien's girlfriends, Hélène de Rothschild* (de Zuylen de Nyevelt and probably several other names too) had all her papers that she'd kept about Vivien and her art and stuff looted/destroyed by the Nazis during the occupation of
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I can't found out what happened to her herself - all my book says is that she was "thrown by the Nazis on the paths of exile"
That seems an oddly poetic way of putting it.
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Natalie Barney had moral objections to monogamy (or something...), which caued problems, because all of her long term raltionships were with women who would actually quite like her to themselves, please. Romaine Brooks had a relationship on-again off-again with her for 50 years, and I think by the end she'd hoped that after all her main rivals died off, she'd have NAtalie to herself at last. (Natalie Barney was also a fascist for awhile, so not entirely cool. But she was so refreshing free of complexes or guilt over her sexuality.)
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Waiting for rivals to die sounds like a sensible way of pursuing monogamy! And yes, fascism is awful, but being openly gay and fine with it in that period was rare enough to be awesome.
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