I've posted on the use of saidisms before, but for those who missed it, my post on it can be found
here. Why am I bringing this up again? Because
keket_amunet posted tangentally on the subject
here and it caused a lively discussion I thought might be of interest if you want to hear both sides of this debate. (Though I remain on Keket's side on this one-as do
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"I'm going to ride the fence on this one," misstee sneered.
No...let me try again...
Impatiently tossing her hair to the side, misstee said, "I'm going to ride the fence on this one."
No...screw it...they're both bad.
Thanks as always for your posts! If nothing else comes from them, they make me go back and take another look at what I write, which is always a good thing to do. :-)
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LOL. Sometimes 4. It depends on what grammar book or style manual you look at. One thing I do like about The Petulant Poetess is that they do lay their cards on the table about their grammar rules. You can find their guide on the use of the ellipsis here if you're curious.
I do agree btw that I notice neither saidisms or comma placement or some of the niceties of grammar if the story-telling is strong. It's only when the writing is less than stellar that it's drip ... drip ... drip.
And we all started out as newbies--all look back at some of our older stuff and wince. All of us. So for any of us to say newbies can't learn--or that we don't have more to learn ourselves doesn't hold water imo.
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In England in the late 70s writing as a subject was changed to 'creative writing'. We weren't told what was right or wrong, and certainly there were no grammar rules to be followed, we just wrote. I find all this very foreign indeed.
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You know what I think really stiffles creativity in the fandom and discourages writers? All the niggling rules about grammar.
keket_amunet and I are just sharing a point about craft--one that many editors agree on and it would be useful for those with pro ambitions to know. But neither of us have much power in this fandom. We don't own websites, we're don't admin, and when it comes to any following we have we're very, very small fish and in my case I can say I'm likely to remain so. But when a newbie encounters the moderated archives and is told they can't do run-ons or comma splices or use commas CREATIVELY to show rhythm in dialogue or rhetorically--when their stories come back rejected because of comma usagethat I think truly stiffles creativity--not being told they shouldn't wear out the thesaurus looking for subsitutes for said ( ... )
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Is it like when you're reading dialogue and then all of a sudden you read , he shouted? You weren't expecting it, and you read it as. 'Yes, mother,' Tim SHOUTED. Cos that to me is really bad because the emphasis is all wrong for the reader. Now, I'm not ed-ja-kated in how to write, but do it from instinct. I know what's right without having to use a manual. Maybe this is why I don't appreciate flogging the subject in discussion? For me it comes from the heart.
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and just to clarify this comment, I meant published authors. Although I have read some authors' whose work I have enjoyed and they break rules too.
But, again, in the scheme of things, the really talented writers are the exception (which in my mind includes SW69, Wartcap and Shiv), so it's really hard to base a rule on what the exception do and can get away with. For the rest of us, rules are useful.
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I don't believe rules are for "the rest of us" Either this is a good writing precept and *gasp* even the above writers can learn from them or it truly is rubbish--for all of us. But good pro writers will tell you they're always learning and aren't closed to discussion of technique - not the ones that grow. There's no royal BNF road to good writing.
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Like I've said elsewhere here on your journal, I get a lot out of your posts (and that one of keket's); they help me. But whatever is said exceptions can be found and will be argued about, so it's like having a disclaimer.
And ditto what you said about JKR, I've heard that elsewhere too. Surprising really for someone who, I believe, worked in publishing.
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And yes, I do think the problem with drabs is sometimes you do take shortcuts that damage the story you're trying to tell. Believe me, I know--not just because of my drabs, but cuz I just posted a story where I set a self-imposed limit of 500 words exactly per scene. I choose that for many of the same reasons I like doing drabs--forcing me to be as precise and economical as possible--but...
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