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Comments 46
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I mean, I may drop a remark or two. Or not.
But there are too many categories, too many nominees, it would take too long to discuss which I like and which I didn't and why.
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The shortlists -- including the folks who were pushed down below the waterline by the slates -- will make for interesting reading.
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This year will be especially interesting, of course, since they will reveal the names of those who were perhaps both damaged by the Puppies... the writers and editors and fans who would have been on the ballot in a normal year, but were squeezed off by the slates.
And yes, they are losers too, and deserving of recognition of such, and we intend to raise a toast to them all at my True Losers Party. I hope that many will attend.
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Regarding that: The pups subverted, gamed, hijacked, and cheated the Hugos in order to make a political point. End of story IMO. I might have even agreed with at least parts of their original complaints, but I'm absolutely against the way they went about trying to affect change, and found their statements defending their actions ridiculous.
So, the most important question for next year must be, "how is this type of behavior going to be eliminated in future Hugo award years?"
Since I and most others consider you the Supreme Allied Commander on this issue George, do you have any feelings or suggestions on how to combat future stupidity on this matter?
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Well thats just means that "liberal" is just a tag and is not really saying much.
(This is one of the problems I see: The idea that your political leaning automaticly means you have to like these books, but will hate these other bookjs...)
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For me, there have been plenty of cases in the past where "the best work of the year in a given category" was not even on the ballot. What do you do then? What I do, is choose from the works that are on the ballot, so long as I feel they are Hugo worthy. And if only one is Hugo worthy, I vote that one first and No Award second.
I don't see the sense in punishing a worthy finalist because the competition is all crap. Regardless of where the crap came from.
If CASABLANCA was up for an Oscar against four Ed Wood films, I'd vote for CASABLANCA... even if I did think that CITIZEN KANE (not nominated) was slightly better.
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In the past, I have generally chosen from the works that are on the ballot but that's because I was choosing from among works that represented what Worldcon nominators honestly thought were the best works of the year in that category, even if I might not agree with them on their evaluation of particular works. However, this year I'm not getting a choice among fairly nominated works, and given that there's no way to put an asterisk next to the winner's name, my choice in categories predominantly consisting of zombie slate nominations is to vote No Award, indicating that I don't feel that I have been given the opportunity to truly select the best of year in that category.
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