Yesterday was, all in all, a strange day, possibly an almost good day. Certainly a productive day that was not without merit, and, also, which was shot through with threads of something better than the stressful mess of the last five or six days
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As a side note, although I understand the legal logistics behind "Michael Stipe told me I could use the line, and then Warner Bros. stepped in and said no." on a very base level, it irks me ridiculously when the person who created something isn't allowed to have the final say on granting personal permission to use it.
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As a side note, although I understand the legal logistics behind "Michael Stipe told me I could use the line, and then Warner Bros. stepped in and said no." on a very base level, it irks me ridiculously when the person who created something isn't allowed to have the final say on granting personal permission to use it.
I find it obscene. Radiohead owned the lyrics, as did Philip Ridley, so there wasn't this problem.
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Personally, I'd say to not deal with the nightmare that is US Copyright "law" and try to find another quote.
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However, when an artist signs away the rights to their songs to a corporate entity, that puts the artist equally at fault.
Not necessarily. Not when the artist is trying to make a living, and there's not much choice. We're talking about a songs here from the early 90s and 80s. There were virtually no options but deals with record companies, and they took most everything.
I make deals I rather not, and it keeps the bills paid.
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B) Wonderful news about The Drowning Girl cover. I hope they come up with something you like.
C) I can totally commiserate on the copyright/ licensing hassles. I work for a company that makes educational websites, and even when we want to use sources for non-profit, educational use only, there are often still fees involved, which now a lot of schools cannot afford to pay.
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A) Glad to hear that you'll be writing more sci-fi. A is for Alien has become one of my favorite books!
It's good when editors ask me for it.
B) Wonderful news about The Drowning Girl cover. I hope they come up with something you like.
Indeed.
I work for a company that makes educational websites, and even when we want to use sources for non-profit, educational use only, there are often still fees involved, which now a lot of schools cannot afford to pay.
It's all fucking insane.
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Belatedly, Ginger Snaps Back was surprisingly good for me, too. Of course Hugh Dillon stiffly chewing some scenery never hurts.
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Belatedly, Ginger Snaps Back was surprisingly good for me, too.
I just wish I'd not come to the first viewing with so much baggage. But yeah, second viewing, much fun.
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Will you please say "hey, thanks for blogging" to Hubero? I
Done.
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If there won't ever be a special limited edition of The Drowning Girl: A Memoir, with all the bells and whistles and additions you'd like it to, I vote for using the quote in the first edition trade paperback and then dropping it for subsequent editions.
Well, as it stands, the first edition will be the Roc trade paperback. I haven't talked to Subterranean Press, but I doubt it's a project they'd take on.
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