"...pumped out by an engine deep inside the Earth's core."

[greygirlbeast]

A rainy night last night, a cloudy day today.

Yesterday I sat down and began work on what I'd hoped would be the first section of The Dinosaurs of Mars, "Black Noise (Boston, 1/5/2037)." But after about five hundred or so words, I realized that I was only writing a different version of the opening scene of "Galápagos." And, in truth, much of the

Comments

[shanejayell]

Good luck on the next piece

[mataar]

Wishing you well with all the other things awaiting your attention, Auntie! Also looking forward to Beneath an Oil-Dark Sea.

[setsuled]

I could certainly do a better job on The Dry Salvages were I to write it today than I did when I wrote it ten years ago.

Jeez, I can't believe it's been ten years.

I'm just going to call this one a stillbirth.

Well, it was a fun concept to think about but I can understand how you feel.

[greygirlbeast]

Jeez, I can't believe it's been ten years.

Sort of terrifying....

[sovay]

"Black Noise (Boston, 1/5/2037)."

That's a great title, if there's anything else it can ever belong to.

Instead, I'm just going to call this one a stillbirth.

Understood. Thanks for the update.

Late last night, I saw the final layout for Lee Moyer's cover of Beneath an Oil-Dark Sea, and wow.

I'm really looking forward.

[greygirlbeast]

That's a great title, if there's anything else it can ever belong to.

I may try to use "Black Noise" as the title for the new piece in Sirenia Digest #102. I like it, too, it's sonic/visual inversion.

[greygirlbeast]

As soon as I may.