+ Supremely creepy animated
For Better Or Worse comics. They blink, but that's it; it's like everybody in the comic is paralyzed from the eyelids down, sitting there helpless with their mouths hanging open. It reminds me of those Garfield strips where all the animals' thought bubbles were removed, leaving cartoons of a manic, pathetic bachelor
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I have a handful of prize vinyl-- Nitzer Ebb, Siouxsie, promo-only major label stuff-- but not quite enough to drag turntables in when I DJ. Shame that.
I don't like Morningstar Farms much, they're generally my least favorite purveyor of fake meat. The chicken strips are not as good as their nuggets or patties; I agree that they are a "pass." However, I was quite delighted with the fake BEEF strips, which I often add to salads. (It is a Pittsburgh regional delicacy to put steak and fries on salads.)
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I've got about a dozen records from ebay and various record stores around town so far, and I've been noodling around with them at home. The biggest problem for me so far is the lack of reliable pitch control. I do most of my beatmatching with math and fine adjustments, but these Numark tables are no good for that - the lines on the pitch slider do not seem to correspond to 1%, 2%, etc. I imagine a real Technics deck would be better in that regard, but learning to match widely divergent bpm by ear wouldn't be a horrible thing anyway ( ... )
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You're right though, the most useful thing you can do is to train yourself to hear tracks in two different ears seperately and mix by ear. I've been so lazy dependent on math that I never did teach myself to do that.
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And yeah, me too. Estimating with the 100/111/125/145 "magic numbers" and then fine tuning works so well that I never developed a particularly good ear for larger differences, and I have a really hard time if I don't know the bpm of the tracks. But, obviously it can be done, and I imagine I can probably learn to do it.
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Glad you still have an intelligent hottie! They seem to have good genes for that in that family! *G*
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And yes, they do, not to mention excellent taste in spouses! ;-)
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Prog, to me, suggests "prog(ressive) rock", which I have somehow learned refers to lines of musical heritage reaching back towards Jethro Tull and Yes and forwards through Rush to Dream Theater (and many others in each era, of course). Stuff I like, which is probably the only reason I know what the term means.
What's "prog trance"? Any relation?
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I do like prog rock, too, though. "Roll The Bones" was the second CD I ever bought.
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