Soooo, yesterday evening I sat down to type up some of my November fic, and put Elementary on in the background because I had been meaning to get around to watching it. And then I accidentally most of the aired episodes, and barely any typing up. Oops
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I don't mind slash at all, but it's weird to me to see women complain all the time about women's down-played roles in television and film, and then in the next breath they write (in some cases, only write) slash fanfic, or discuss the slashy subtext.
It's an Issue for me that I generally try not to talk about too often for fear of being harshly reprimanded. :p
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When, however, you have a show with female leads who are ignored by fandom who say they do care about the women, honest, it's rather more annoying. Like people who say they care strongly about political stances but then ignore politics in the real world, which affects those things.
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It still puzzles me that even as self-aware as so many women seem to be, they still flock in droves to write slash, and they generally ignore female characters, except to ship them off to some other destination so the men can have their mind-blowing sex.
I don't mind the slash, like I said. I just don't understand why self-aware women will ignore female characters at all costs, no matter how well written or developed they are.
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I watched Merlin for 2 and a half seasons, and when I accidentally switched on Merlin two weeks ago, I had to turn it off within the minute because THAT DIALOGUE. THAT DIALOGUE. It started out good in seasons 1 and 2 - aimed at children but with some fun for adults, without pretension and jolly good fun. What happened?
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As for Merlin... ahahaha. I think it decided to take itself seriously without actually bothering to change any of the things that mean you can't take it seriously, however hard you try. Although I very much love the Tiny Valley Of A Hundred Names *gg*
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Yeah, the added sharpness which a lot of people didn't like was the thing I personally really liked about the change from ACD to BBC (trust me to do a thing like that XD). Because the way I see it, Sherlock is not only clever, he's frighteningly, fiendishly clever, enough to need cocaine to stop his brain from eating itself. And here he is, surrounded by all these people whose brains don't work like his and can't keep up, and it's nice to feel superior at first, but after a while it's just so frustrating. The world isn't built to accommodate people that clever, he's surrounded by people who can never challenge him, and he is alone and frustrated and pissed off. I found it a very compelling and believable portrait of a modern Holmes (and apparently had more thoughts about this than I realised, oops ( ... )
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Yes! Original Holmes cared about many of his clients, and he was friendly with the Yard. And he wasn't particularly arrogant. He knew he was smart, but he didn't think there was anything especially amazing about what he did. To him, his observations really were very simple.
Sometimes condescending, yes. An asshole, no.
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Slinking away now.......
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That's not being radical and pushing for new things. That's trying to have your cake and eat it.
So, while that may well have been a consideration, and I have thought about that, having Watson be a woman, and a woman of colour, is actually a really big deal. And that's why I posted the quote above: they're not going "down" in progressiveness, they're going "up", because that supposed progressiveness was never actually there. If someone somewhere was willing to stand up and say, "yes, we're making a Sherlock and Watson who are in a queer relationship" that would be a massive deal, but they aren't. And they're not getting ally cookies ( ... )
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But really I don't think it really should be about sexual orientation. It is really about the case and the brilliance of Sherlock with Watson as his foil and balance. So I suppose it really doesn't matter who you throw in the roles because it isn't a love story.
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But how would that benefit them? The two other recent Holmes adaptions, the BBC series and the Ritchie movies, both dialed the homoerotic subtext way up (but always dancing away at the last minute, of course; actual gay people are icky), and they've both been very successful. The BBC series is getting a third series, and if I remember correctly, they're making a third movie. Clearly, teasing the viewers with the possibility of gay is not ratings suicide. Quite the opposite, apparently.
And all that gay UST is in the eye of the beholder anyway. I don't see a bit of subtext between the original characters, so I see no reason why UST would have to be a part of any adaption.
All the BBC series and the Ritchie movies do is prioritize male homosocial bonds, while still maintaining the trappings of heterosexuality. That's pretty much the least revolutionary thing ever.
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