This short (eight minutes) but stupendous song for solo soprano, chorus and wind instruments was composed around the time of the Ninth, the Solemn Mass and the Diabelli Variations, and frankly, even in their mighty company it does not look bad. I think it is Beethoven's own view of what his life really amounted to: a sacrifice - and God knows his
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The "beauty is truth" theme certainly seems to figure large in Beethoven's works and thought. The Op. 80 Choral Fantasy (aka the "Little Ninth") uses text along similar lines. Here's a good version of it on Youtube (good because, well, Barenboim -- 'nuff said): https://www.youtube.com/watch?v=96W26dNiQyY
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