First... many thanks to
siochembio for encouraging me to write this post. You're awesome!
In the interest of full disclosure.... My love of movie music started at a relatively early age when my father played his collection of movie and TV soundtrack albums every Saturday morning. His collection was rather wide-ranging, from Jerry Goldsmith's earliest
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I laughed when I listened to the overture for Capricorn One because, um, yeah, Stravinsky, a wee bit?
And ditto for Star Trek VI. Holst, much?
It's interesting that so many of the classical-based themes/soundtracks are referencing early twentieth century composers. That would make a fascinating thesis - dissecting that particular relationship! How many times here did you reference Holst, Prokofiev, Stravinksy - and you're totally right!
Again, thanks for contributing this write up! I bow to your incredible knowledge of movie music!
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