Nov 18, 2020 17:18
Continued from
Part 2 (
Read more... )
appearance/perception,
rock alias,
wincest and incest themes,
the hero's journey,
psychodrama,
biblical numerology,
practical mechanics of hunting,
john,
sexual predators,
perception,
season 1,
dean,
demonizing the enemy,
phantom traveler,
the dysfunctional family,
saving people-hunting things,
authenticity,
episode rewatch,
alpha/omega,
yin/yang,
eye colour,
sam takes after john,
status and role reversals,
pop-culture reference,
the divided self,
disguise/mask,
demons lie,
magical realism,
family dynnamics,
post 9/11 zeitgeist,
family is hell,
political allegory,
smart dean/strong sam,
homoerotic subtext,
the greater good,
running gags,
feminine other
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Comments 10
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> I did smile at your comment about the pouring of holy water on the co-pilot. There are a lot of situations like that on Supernatural that would probably pan out very differently in real life :D
There are heaps in the later seasons, but in those first 5 I've found remarkably few things to nit-pick and there was only one infamous time when I found something so implausible it threw me right out of the story for a moment.
> I'm inspired to watch it again!!
My work here is done :)
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Thanks for doing these! Looking forward to the next. I'll watch the next episode with my eyes extra open to see what I can see so I'll be able to discuss them with you!
*hugs*
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I am still amused about Dean humming Metallica to calm down. I wonder what song he was humming to fit the situation. Creeping Death? Disposable Heroes? Hmmm
I love the concept of Satellite Sam revolving around his brother.I'm amazed he didn't storm off. My brother would've.
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I always thought it was Some Kind of Monster, but I'm no expert. Creeping Death sounds like a good candidate :)
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I reread your theory about the overarching theme for Season 1-5 at least 5 times to make sure I understood the proposed concepts. As usual the myth arc seems so clear after you’ve said it. “It does this through a critique of the hero myth - a story that has been used for centuries as a propaganda tool to persuade young men to go to war and sacrifice their lives for ‘the greater good’, on the promise of reward, renoun and immortality - and through a close observation of two brave and valiant young men who believe in it. Over the coming seasons we will see the effects of that belief, and watch as the pursuit of revenge for an original violent act gradually corrupts their values, damages them as people ( ... )
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Sam is the big picture person: faced with an immediate threat to the lives of 100 passengers, letting the plane crash is not an option for him. Dean, on the other hand, is all about family and, especially, protecting Sam. Letting Sam risk his life alone is not an option for him.
Yes, Dean facing his fear because he wouldn't leave Sam to deal with this alone. It reminds me that Dean had been talking about being brave (Dead in the Water), so here he's being brave and doing something he's afraid of.
Good point about the holy water and the demon, and Amanda's reaction. Makes me wonder how many other moments there are like this that I missed!
I love the lack of personal space when they listen to John's voicemail. And this time, Sam doesn't have to do his orbiting around Dean thing. ;)
Thanks for your wonderful review!
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