The case is wrapped. Ben Conrad, the man that they had pinned down as their suspect, is dead and on his way to the morgue. Beckett sends her detail home for the second time with every intention of luxuriating after the stress of the week in a long, hot shower. Underneath the warming spray, she can vaguely make out the sound of her own phone, but
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Someone across the street screams and for a second, Castle thinks it's her; thinks that, somehow, the blast threw her out the window and onto the pavement and now he's going to have to look at the remains of grit and stone and glass and see Beckett -- see his partner -- crumpled in the gutter. No. The scream doesn't fit. It's a women, a pack of leashed dogs at her feet, who's doing the screaming instead. Castle sucks his voice up from the bottom of his chest: "Call an ambulance!" The dog walker doesn't seem to hear him. Her canine ( ... )
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A couple of blues, not from the 12th, stand around a flashing squad car. They keep throwing sympathetic looks in Beckett's direction and Castle can read the anger on their faces. That's the great thing about cops in this city -- an attack against one of them is considered an attack against them all. There're few professions left in the world that have that kind of solidarity and camaraderie; in fact, he's pretty sure that if he dropped dead tomorrow, a couple of his contemporaries would throw parties.
The cops offer to take them both downtown and Castle comes back to Beckett, sweeping his arms toward the squad car with undue bravado. "Your chariot awaits, madame."
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Castle gets out and meets Beckett on the sidewalk. "What does this make, two slumber parties in as many nights? Hope I have enough Rocky Road to get us through."
The building is quiet. Castle lets them in through the front door and calls out to see if the other occupants are around. He turns to Beckett. "Alexis must be at a study group." He does not comment on his mother's whereabouts. "You know where the shower is. There're fresh towels in the linen closet. You want me to get you some clothes until they can scrape yours out of your closet?"
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"Hey." A nod to the sweats and t-shirt. "Sorry I didn't have anything else, but I figured you wouldn't want to wear anything of mom's. Peacock feathers and sequins aren't exactly sleepwear." He rises and makes his way around the back of the couch, hands at his sides. He's worried as hell, and probably doing a poor job of keeping it off his face. "You want anything? Something to eat? I'm pretty sure we've got leftovers."
-- As a dirty pot submits to gravity and slides, loudly, into the sink.
Castle's smile is apologetic.
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The sliding pot briefly startles her, but she's learned to swivel with her whole body or just her head so as not to put further strain on her knee. When she realizes what the cause of the noise was all along, her smile turns sheepish.
"Sorry," she murmurs, directing her gaze back to Castle's face. "Guess I'm still a little on edge."
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On his way to the kitchen, Castle throws over his shoulder: "You're gonna' have to give me a couple minutes to get your room ready. Mother moved in with her boyfriend a couple of days ago and I haven't had a chance to take down the trapeze." This is, of course, an exaggeration -- but only slightly. "But, seriously, stay as long as you need to." A glance. "Want to. Just as long as you bring it on board game night."
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"I don't want to be any trouble," she calls back, casting a brief glance in the direction of the television, but she can already hear Castle's answer in her head before the words even leave her lips. She wouldn't be any inconvenience, according to him, but she's not entirely certain he'd say that without bias. Still, there's a comfort in knowing she's safe here - safer, even, than she would be anywhere else.
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"Besides, we're not gonna' be here that much anyway, right? Gonna' put this guy in lockdown before the end of the week." Hell, he's going for total optimism at this point. 'Hard not to count your blessings after a night like tonight.
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"I guess you're right," she adds. "On both counts." Mixed in with the general feeling of pissed-off is the need to go back out there and see this case through - and she's not going to let Shaw or anyone else tell her she can't. Not after this.
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He doesn't think he's pushing her back into a place she doesn't want to be. Castle likes to think he knows Beckett, and he knows that she's not gonna' give in to shellshock and forget about being a cop.
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"You could've at least had a copy made instead of taking the originals," she mutters, loud enough to be overheard.
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He fills the kettle at the sink and puts it on one of the stovetop burners, holding his hand over the red ring in a completely unnecessary show of checking that it's putting out heat. He comes back to the table and sits down across from her. 'Picks up a few of the crime scene photos and starts to leaf through them. "So Conrad's our fall guy. Our killer-slash-arsonist-slash-all-around-nutjob had to know him. Or have some kind of leverage on him to make him go through that kind of a performance."
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