Combing the parking garage for any sign of the third victim's body proves fruitless. The killer - whoever he is - isn't sticking to his normal M.O. of leaving the body where he's killed them, either. Forensics bags the lone pump, the clumps of blonde hair, swabs the places where her blood had spilled, but Beckett isn't hopeful yet. Changing his
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"I thought we were on all the same team," he points out. What's that funny feeling at the back of his neck? Oh yeah -- the completely unfamiliar, unusual sensation of being the "sensible one" in a conversation.
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Now she's trying to backtrack - or, at the very least, figure out how to say what it is she wants to say without actually saying it. And the way Castle's looking at her like she might be close to going off the deep end leads her toward the realization that she may be blowing this out of proportion. Either way, she needs to make her point - and she does.
"It's just - I think that if you have an insight, you should run it by me first."
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"Fine. I will." He hefts his glass. "Now drink your wine."
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"Thanks. But, um, I'm tired, and I need to go to bed."
An action that wine would likely aid in, admittedly, but she's already up on her feet, setting the file down to rest for the night, and gives him leave to exit with a hand that moves to indicate the front door.
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Said with a completely straight face and everything.
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"What, with your vast arsenal of rapier wit?"
Castle may be a good shot - he's proven that before in his desire to secure information from her - but the notion that he's refusing to leave because he wants to protect her is one that has her torn between laughing and feeling flattered at the sentiment.
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He curls the glass of wine toward his chest, prepared to deliver the emphatic line of reasoning he'd rehearsed several times on his way over: "There is a madman gunning for you because of me. I'm not going to leave you alone."
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So she deals with it, her hand falling to her side.
"Fine. I'm too tired to argue."
And for some reason, as she crosses the living room to head down the hall to her room, she feels compelled to spin on one heel and add:
"But if I see that doorknob turn - I will have you know, Mr. Castle, that I sleep with a gun."
It's an empty threat, of course, given that he already knows what she sleeps with - or doesn't.
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"Understood." With all the gravitas that acknowledgment requires.
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Finally, her insomnia gets the best of her and she rises to go to the bathroom, but on the way there, she detours slightly and tiptoes down the corridor to the living room. The lights are mostly out - except for a small lamp that casts the room in a dim glow, and Beckett's gaze lands on the twin empty glasses on the table, then searches for the back of Castle's head among the couch cushions.
Another creaking floorboard announces her presence.
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She'd left the case notes spread out over the coffee table, the margins filled with her tiny, precise handwriting. Castle had licked the pad of his thumb and flipped through the topmost sheet --
1ST VIC - 5 SLUGS - NIKKI.
She was talking about their first victim, the guy at the train station, and the five bullets they'd pulled out of his ribs. Castle's gorge rose at the creepy calling card.
2ND VIC - 4 SLUGS - WILL.
The writing got more emphatic at this point, and Beckett had evidently pressed the pen pretty hard against the paper: 3RD VIC - JANE DOE - ????? was an impression that went four pages down ( ... )
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She bends down to take the file from his lap, careful not to touch him where he'll flinch and stir, and places it on top of the others piled on the coffee table. The wine glass is a little harder to pry out of his hand, but he gives it up relatively quickly, and she eyes its nearly full contents before downing it within a few swallows. Liquid courage, her brain spits out while she sets the glass down, now empty, to join the other ( ... )
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The pressure of the blanket is slight, but it pulls him from sleep all the same, and when he feels a warm presence beside him he chooses not to open his eyes. The weight of her is beside him, her constant gravity keeping him anchored, and he takes in a breath of her perfume. Slowly, he hinges his jaw back together.
With his eyes closed: "I could smell you coming, Clarice..."
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"Some lookout you are," she murmurs, though like her earlier thought, there's a trace of affection in the words, and she fits herself in alongside him on the couch, sitting where there's a small space on the edge next to his hip.
"Unless you'd been planning on, I don't know, drooling on our guy."
There isn't any drool. Not really.
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"What're you doing up?" he asks. "Can't sleep?"
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