(I figured considering the topic, a Lord of the Rings reference was more appropriate than a song. (Which reminds me, it's been a year since I've watched those movies. Getting the geek itch. Anyway...))
eclectic_writer offered a well-timed question last week:
The topic o' the month currently is how to begin one's books - what about where to end them
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I'm willing to pick up a third book after a relatively weak second book if it's The End of the series (not necessarily the world, I understand that) but if it looks like it's going to be on-going, good bye. Period.
Personally, I haven't lasted beyond book 3 in a series recently, other than a few authors whose writing I love beyond reason (I'd even pay good money for grocery lists in-between releases). I'm going to pick up Ilona Andrews' Magic Mourns, but past experience makes me leery.
As an unpubbed writer, I avoid series whenever possible. I don't want to get stuck into the trap writing books 2 and 3 when book 1 hasn't even sold. It's just not a productive use of my time.
I am writing a book 2 at the moment though, but since book 1 doesn't yet exist, I may just pretend that book 1 doesn't exist forever.
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I'm not going to waste my time on the second book- that author has now taught me that I can't trust them to give me a satisfying read contained in itself.
As a writer, I end a book when the major plotline is resolved, and the end mirrors the beginning- whether they come full-circle, or end up in opposing places, they must be balanced. So as a writer, I guess my answer is... when the story's resolved, and it feels good. That's nice and scientific, right? :)
-Saundra Mitchell
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But as a reader I cannot stand (and as a writer I do not write) endings that tie absolutely every last thread off. I can say from experience that the most time-consuming part of a sewing project is often the finishing of seams and other fiddly bits: they make the whole thing stronger and nicer-looking, but it takes forever, and if a book does the same thing then I get bored. The ending needs to have some momentum, and it needs to be as compelling as the rest of the story was. Watching a good story peter out because the author's crossing every t and dotting every i is a tremendous disappointment.
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Like Megan said above, standalones need more to tie up the loose ends. I personally don't need much more, though.
I personally, find writing the ending the hardest part of the novel. Beginnings are tough, but there's the excitement of the "new shiny" to keep my interest up. By the end of a book, I've known the end for about 5 billion years, and I frequently just want to get it over with so I can move on to the next New Shiny.
A flaw in my character, no doubt.
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