My publisher has asked me to write a short story prequel to my Soul Screamers books. They want to release this story as an e-short in July, so I’m in a bit of a time crunch and I’ve run across a couple of interesting problems. The first is a familiar dilemma (at least for me), but the second is something… else.
[My questions mostly pertain to other
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Suelder
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As for writing the story as a flashback, I'm afraid that would still reveal spoilers from book 1 to the reader. ;-)
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In terms of wanting to change something in a book once it's been printed. Yup. Been there. You know what just happened to me though? I had to stop writing the 3rd book in the series to proof the galleys of the 2nd. And I actually changed a couple of details in the 2nd at that time. So that it all flows better for the 3rd book.
good luck.
~Barrie
http://barriesummy.blogspot.com
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How integrated to the story does your prequel have to be? Can you take a secondary character from the first book, and write background on them? Does Kaylee's ability come from a family member or an item? Can you focus on a grandparent or cousin or previous holder of the magic thingamajig or something else? (I.e. would an introduction to the world be acceptable, or do they want a direct tie in to the story?)
I always enjoy short stories that introduce me to the world, even if they aren't focused on the book's main character... sometime I even like them more - I get to see the secondary character or characters in a way that the story doesn't let me see, being focused on the protagonist.
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Kaylee's ability does come from her family, but I don't want the readers to know what she can do yet either. ;-(
I've come up with something pretty interesting to solve it though. I think. Assuming it works... ;-)
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I've also done origin stories for some of my vampire DJs, and I'm sure a detail in one of those is going to, uh, bite me in the you-know-what one of these days, plotwise. :-)
And YES, I have definitely wanted to take out a sentence here and there in previous books, especially world-building details that made later developments impossible.
So the lesson learned is never toss in any detail unless it's directly pertinent to the story.
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